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Carrion_Crow

Stealth Head

+48136


Submissions

11
Don't Ease Me In
Oct. 17, 1972
Fox Theatre

Fast and loose, with great Keith barrelhouse fills. Jerry doesn't want to quit. Good fun.
11
China Cat Sunflower -> I Know You Rider
Oct. 17, 1972
Fox Theatre

Unique transition jam with a two-chord quarter-note striking pattern before IKYR. Band hits its stride in the set here.
1
Sugaree
Oct. 9, 1972
Winterland Arena

Smooth as liquid smoke. Beautiful recording and great show, complete with weirdness from Grace Slick. A few tape glitches, but worth it.
2
Friend of the Devil
Oct. 9, 1972
Winterland Arena

Hometown benefit show with a nostalgic feel for the '70 sound that just smokes here.
3
Greatest Story Ever Told
Oct. 2, 1972
Springfield Civic Center

Peak era for GSET. Jerry spontaneously combusts into a string-shredding inferno.
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Comments

New Potato Caboose
Jan. 27, 1967
Avalon Ballroom

Between the Human Be-In two weeks earlier and this blisteringly hot announcement to the "scene" the Dead seemed to go from pop psychedelica to the Danger Dead, with a swaggering, no prisoners, no bullshit muscle behind their prankster games. The sound quality here leaves some to be desired, and it fades out into VLB, but it's more than worth a listen. It'll steal your freakin' face, is what it'll do.
Viola Lee Blues
Jan. 27, 1967
Avalon Ballroom

By far the furthest jam and meltdown on any Viola thus far in the recorded history. The tape speed is a bit dubious, but the jam is an absolute must.
Good Morning Little Schoolgirl
Jan. 14, 1967
Polo Field, Golden Gate Park

Unmistakeably Charles Lloyd. Pretty hot flute, but he's no Pigpen on the rap.
Morning Dew
Jan. 14, 1967
Polo Field, Golden Gate Park

Until further notice, this is the first one. I admit it sounds pretty polished and full of gong, but who cares! It's brilliant, Jerry's vocals are sweet, and the jam has all the power of the Dew we know. Love it.
Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.
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