headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+48136


Submissions

8
Me and My Uncle
Sept. 17, 1972
Baltimore Civic Center

Total badassery. This one bites down hard and has a little menace to it, as befits a song about murder.
4
Mexicali Blues
Sept. 17, 1972
Baltimore Civic Center

Serious giddyup.
4
Greatest Story Ever Told
Sept. 16, 1972
Boston Music Hall

Streaks across the sky like a comet. Choose the SBD version, you won't regret it. Bobby and Donny are totally on together.
2
Big Railroad Blues
Sept. 16, 1972
Boston Music Hall

Really needs a cleanup, or some miracle tapes to clear the sound on this little gem. They were on. Where's the rest of the SB?
3
Jack Straw
Sept. 16, 1972
Boston Music Hall

Listen through the murky AUD and you'll find a powerhouse version that clearly blew the doors off. Crowd energy contributes to a great version.
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Comments

New Potato Caboose
Jan. 27, 1967
Avalon Ballroom

Between the Human Be-In two weeks earlier and this blisteringly hot announcement to the "scene" the Dead seemed to go from pop psychedelica to the Danger Dead, with a swaggering, no prisoners, no bullshit muscle behind their prankster games. The sound quality here leaves some to be desired, and it fades out into VLB, but it's more than worth a listen. It'll steal your freakin' face, is what it'll do.
Viola Lee Blues
Jan. 27, 1967
Avalon Ballroom

By far the furthest jam and meltdown on any Viola thus far in the recorded history. The tape speed is a bit dubious, but the jam is an absolute must.
Good Morning Little Schoolgirl
Jan. 14, 1967
Polo Field, Golden Gate Park

Unmistakeably Charles Lloyd. Pretty hot flute, but he's no Pigpen on the rap.
Morning Dew
Jan. 14, 1967
Polo Field, Golden Gate Park

Until further notice, this is the first one. I admit it sounds pretty polished and full of gong, but who cares! It's brilliant, Jerry's vocals are sweet, and the jam has all the power of the Dew we know. Love it.
Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.
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