headyversion

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Carrion_Crow

Stealth Head

+48136


Submissions

4
Chinatown Shuffle
May 25, 1972
Strand Lyceum

Rip-roarin' version. The 2nd set perks up quite a bit after a sleepy 1st. Pig was still on.
2
Stella Blue
July 16, 1972
Dillon Stadium

2nd one ever, and it seems like they're still getting it together. Nicely stripped down and clear vocals. Historically interesting.
2
Deal
July 16, 1972
Dillon Stadium

Massive enthusiasm, Jerry sings himself hoarse. Brilliant, in spite of poor AUD quality.
6
Playin' In The Band
July 16, 1972
Dillon Stadium

All the inferno-intensity of the great '72s (yeah, those ones) condensced to 14min. Only reason not here is the B- AUD quality. Don't miss it!
3
Black Throated Wind
July 16, 1972
Dillon Stadium

AUD-only supernova, not for the SBD-only folks. The band is so tight, the arc or the song just exactly perfect.
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Comments

New Potato Caboose
Jan. 27, 1967
Avalon Ballroom

Between the Human Be-In two weeks earlier and this blisteringly hot announcement to the "scene" the Dead seemed to go from pop psychedelica to the Danger Dead, with a swaggering, no prisoners, no bullshit muscle behind their prankster games. The sound quality here leaves some to be desired, and it fades out into VLB, but it's more than worth a listen. It'll steal your freakin' face, is what it'll do.
Viola Lee Blues
Jan. 27, 1967
Avalon Ballroom

By far the furthest jam and meltdown on any Viola thus far in the recorded history. The tape speed is a bit dubious, but the jam is an absolute must.
Good Morning Little Schoolgirl
Jan. 14, 1967
Polo Field, Golden Gate Park

Unmistakeably Charles Lloyd. Pretty hot flute, but he's no Pigpen on the rap.
Morning Dew
Jan. 14, 1967
Polo Field, Golden Gate Park

Until further notice, this is the first one. I admit it sounds pretty polished and full of gong, but who cares! It's brilliant, Jerry's vocals are sweet, and the jam has all the power of the Dew we know. Love it.
Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.
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