headyversion

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Carrion_Crow

Stealth Head

+48136


Submissions

4
El Paso
March 28, 1972
Academy of Music

"Thank's Texans" Phil sez to the NY crowd. This one is a rollicking good time. Jer is all over it behind a great Cowboy Bob showcase.
4
Greatest Story Ever Told
March 27, 1972
Academy of Music

The new SBD's are crystal clear, with everyone audible. Whoever that Billy guy is could sure play some goddamned drums. He's solid gold on this one.
4
Black Throated Wind
March 27, 1972
Academy of Music

Charged up and triumphant. The whole week of shows before Europe is killer. Thanks go to C. Miller for the great archive versions.
4
Playin' In The Band
March 25, 1972
Academy of Music

Key moment in transforming PITB into a cosmic monster. 9.5 minutes of gooey goodness here. C.Miller's version is the best. Dig in boys.
8
Not Fade Away
March 23, 1972
Academy of Music

The outro might be the three most intensely energetic minutes of GD music ever. The first part rocks too. Why not here yet? This show is a goldmine.
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Comments

New Potato Caboose
Jan. 27, 1967
Avalon Ballroom

Between the Human Be-In two weeks earlier and this blisteringly hot announcement to the "scene" the Dead seemed to go from pop psychedelica to the Danger Dead, with a swaggering, no prisoners, no bullshit muscle behind their prankster games. The sound quality here leaves some to be desired, and it fades out into VLB, but it's more than worth a listen. It'll steal your freakin' face, is what it'll do.
Viola Lee Blues
Jan. 27, 1967
Avalon Ballroom

By far the furthest jam and meltdown on any Viola thus far in the recorded history. The tape speed is a bit dubious, but the jam is an absolute must.
Good Morning Little Schoolgirl
Jan. 14, 1967
Polo Field, Golden Gate Park

Unmistakeably Charles Lloyd. Pretty hot flute, but he's no Pigpen on the rap.
Morning Dew
Jan. 14, 1967
Polo Field, Golden Gate Park

Until further notice, this is the first one. I admit it sounds pretty polished and full of gong, but who cares! It's brilliant, Jerry's vocals are sweet, and the jam has all the power of the Dew we know. Love it.
Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.
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