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Carrion_Crow

Stealth Head

+48136


Submissions

5
Me and Bobby McGee
March 23, 1972
Academy of Music

Now I know a lot of you don't dig this song, but goddamn they pour it on for this one. Great Jerry filagree backing the passionate vox. Listen to the
2
You Win Again
March 23, 1972
Academy of Music

Sounds like it could have been a top 40 CW chart topper. Something clean and pure about it - maybe one drummer helps on this tune.
5
China Cat Sunflower -> I Know You Rider
March 23, 1972
Academy of Music

Crystal clear sound and tight show opener in this hot hot pre-Europe run. The vocals are on and the transition rocks.
1
Sugaree
March 22, 1972
Academy of Music

Super-strengthed version with a solid, driving pulse. They took their vitamins this day: The whole show's has that bursting-at-seams energy.
2
Casey Jones
March 22, 1972
Academy of Music

Insane explosive blowout for the set-closer. Caps an excellent first set with extraordinary energy.
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Comments

New Potato Caboose
Jan. 27, 1967
Avalon Ballroom

Between the Human Be-In two weeks earlier and this blisteringly hot announcement to the "scene" the Dead seemed to go from pop psychedelica to the Danger Dead, with a swaggering, no prisoners, no bullshit muscle behind their prankster games. The sound quality here leaves some to be desired, and it fades out into VLB, but it's more than worth a listen. It'll steal your freakin' face, is what it'll do.
Viola Lee Blues
Jan. 27, 1967
Avalon Ballroom

By far the furthest jam and meltdown on any Viola thus far in the recorded history. The tape speed is a bit dubious, but the jam is an absolute must.
Good Morning Little Schoolgirl
Jan. 14, 1967
Polo Field, Golden Gate Park

Unmistakeably Charles Lloyd. Pretty hot flute, but he's no Pigpen on the rap.
Morning Dew
Jan. 14, 1967
Polo Field, Golden Gate Park

Until further notice, this is the first one. I admit it sounds pretty polished and full of gong, but who cares! It's brilliant, Jerry's vocals are sweet, and the jam has all the power of the Dew we know. Love it.
Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.
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