headyversion

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Carrion_Crow

Stealth Head

+48136


Submissions

2
Good Lovin'
March 21, 1972
Academy of Music

Pig on a ferocious rampage, the band sizzling hot behind him, and all this in the first set. This show deserves more love.
4
Mister Charlie
March 21, 1972
Academy of Music

Part of a great first set, the band is on fire, and Pigpen in great form. Tight rocker.
4
Loser
March 21, 1972
Academy of Music

Cracklin' and snappy version. The band is über tight and having fun.
3
Greatest Story Ever Told
March 21, 1972
Academy of Music

Bobby blows a gasket on this one. Raw and powerful, showing exactly where they were headed before Europe. High energy rocker.
3
Playin' In The Band
March 21, 1972
Academy of Music

I'd argue this was the first Playin' as we came to know it after the end of the "Main Ten" and "country warbler" versions from '71.
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Comments

New Potato Caboose
Jan. 27, 1967
Avalon Ballroom

Between the Human Be-In two weeks earlier and this blisteringly hot announcement to the "scene" the Dead seemed to go from pop psychedelica to the Danger Dead, with a swaggering, no prisoners, no bullshit muscle behind their prankster games. The sound quality here leaves some to be desired, and it fades out into VLB, but it's more than worth a listen. It'll steal your freakin' face, is what it'll do.
Viola Lee Blues
Jan. 27, 1967
Avalon Ballroom

By far the furthest jam and meltdown on any Viola thus far in the recorded history. The tape speed is a bit dubious, but the jam is an absolute must.
Good Morning Little Schoolgirl
Jan. 14, 1967
Polo Field, Golden Gate Park

Unmistakeably Charles Lloyd. Pretty hot flute, but he's no Pigpen on the rap.
Morning Dew
Jan. 14, 1967
Polo Field, Golden Gate Park

Until further notice, this is the first one. I admit it sounds pretty polished and full of gong, but who cares! It's brilliant, Jerry's vocals are sweet, and the jam has all the power of the Dew we know. Love it.
Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.
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