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Carrion_Crow

Stealth Head

+49677


Submissions

7
Not Fade Away
June 4, 1970
Fillmore West

Spectacular thrashing jam. Jerry has an agressive metal sound that I like to call the "Dangerous Dead" from the era.
6
Attics of My Life
June 4, 1970
Fillmore West

For a song notoriously difficult to sing, this one comes of beautifully. June 6th is better, but good to hear them in sequence as the worked on it.
5
Friend of the Devil
June 4, 1970
Fillmore West

Hard to figure that this isn't here already: sweet acoustic intimacy and a clear '70 AUD that does it for me.
4
Candyman
June 4, 1970
Fillmore West

Intimate expression of this song's first, acoustic, right off the LP era. A bit slower, but great vocals and 3-part harmonies.
5
Deep Elem Blues
June 4, 1970
Fillmore West

Pure goodness. Warm AUD, intimate sound. This is the gold.

Comments

Playin' In The Band
Sept. 21, 1973
The Spectrum

Savage cut in it tho. Mike Lai's soundboard has the last minute, but the AUD just fades out (tape change?)
Playin' In The Band
Nov. 18, 1972
Hofheinz Pavilion

I come back to this one again and again and just go nuts for it every time.
Good Lovin'
April 17, 1971
Dillon Gym

The immortal Pig Rap. "I gotta bouta dolla and a quarter... You can't buy much for a dolla and a quarter...." And so much more. I agree with Phil (!): This is some of the best Pig out there.
Eyes Of The World
Sept. 12, 1973
William and Mary College Hall

Very hot, very tight, and freakishly good. Perfect transition into a nice Stella, too.
Morning Dew
Sept. 11, 1973
William and Mary College Hall

To fully grok this one, you have got to listen to the Dark Star before it. Phil is totally explosive here, and it comes out of one his most massive solos of the year right before it. Jerry then takes his lead and tears it up in the most completely beautiful way.