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Carrion_Crow

Stealth Head

+49667


Submissions

7
Around and Around
Sept. 26, 1972
Stanley Theatre

Usually a toss-off for me, and maybe it's Chuck Berry's passing that makes me think of it, but this version kicks serious ass. Deliberate and strong.
10
Bird Song
Sept. 26, 1972
Stanley Theatre

Crisp, articulate, deliberate. This is as strong a statement about what this song could be in '72 as I know. Airplay levels of concision.
7
Cold Rain and Snow
Sept. 26, 1972
Stanley Theatre

Always loved this one early in the first set, 'cause it meant the boys meant business. This one has a loose, comfortable sound, but with high energy.
8
Bertha
Sept. 24, 1972
Palace Theatre

Masterclass from the Philzone here. He tears this one up.
9
Loser
Sept. 24, 1972
Palace Theatre

Driven version. Purposeful, biting, and strong, with a high-tension wire energy. They meant business.

Comments

The Eleven
Oct. 12, 1968
Avalon Ballroom

Massive electric pychedelia at its most heady.
St. Stephen
Oct. 12, 1968
Avalon Ballroom

Tight and energetic. Must I've got to admit a very strong preference for the Stephen's of this era over any other. Plus Bob can be heard saying "the funniest thing I've ever heard" right after "one man gathers what another man spills", to general merriment.
Dark Star
Oct. 12, 1968
Avalon Ballroom

Massive early version (just 15 minutes). Check out the new C. Miller for great cleanup work.
Morning Dew
April 29, 1971
Fillmore East

The Pig's Hammond is all over this one.
Playin' In The Band
April 29, 1971
Fillmore East

Playin' ('72 forward) is one indicator for me of how much collective energy the boys had for exploration. That's what makes the earliest versions of the song so interesting - when it was just a song and not a ticket to Mars and back. Here Bobby sings like his life depended on it. Very cool.