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Carrion_Crow

Stealth Head

+48136


Submissions

2
Samson and Delilah
June 23, 1976
Tower Theatre

More and more I'm convinced that the earliest Samsons are the best. So confident, so full of strut and swagger. Any other era with such consist force?
2
Promised Land
June 23, 1976
Tower Theatre

Keith and Jerry are manic pinball flippers bouncing their solos off each other here. Fun set closer.
3
Brown Eyed Women
June 23, 1976
Tower Theatre

Smooth and satisfying, rouses the crowd right up too. What a sweet show this is.
2
Mama Tried
June 23, 1976
Tower Theatre

Fun, raucous, and rowdy, but full of tight ensemble jamming and a nice Bobby/Jerry balance, allowing you to hear Cowboy Bob's great backup work.
5
Sugaree
June 23, 1976
Tower Theatre

Jerry's voice is at his most elegant, showing some smoke. Keith is supremely intuitive and beautiful, the band goes higher and higher. Great version.
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Comments

Beat it on Down The Line
July 16, 1966
Fillmore Auditorium

Bobby's just a baby and he sounds like a demented carny. "Surf punk" doesn't even begin to describe it. I love this so much.
Dancin' in the Streets
July 3, 1966
Fillmore Auditorium

It's incorrectly listed as the first Stealin' track on this link. You can also get to it - and y'all really should - by clicking on the link, "check for other copies", then follow the white rabbit put there by the heroic Charlie Miller for a whole set of other beauties from this show.
New Minglewood Blues
May 19, 1966
Avalon Ballroom

Proof that Bobby didn't start shrieking in the '80s here. They sound so punk-rock, 10 years before that scene hit California. So cool to go all the way back to the beginning. Check out this whole show, for one of the first live recordings of a whole set out there. Thanks Archive!
Hurts Me Too
May 19, 1966
Avalon Ballroom

Pigpen was a fully formed and mature blues singer at this point. The rest of the band is still getting it together, still primal and not fully formed. But Pig... oh man. Pure Pig.
Cold Rain and Snow
March 25, 1966
Trouper's Hall

Apparently Bear was recording this to be played back on mono, so the organ jam would be featured but not so explosive. Whodathunkit? In any case, this is just so fucking brilliant that I want to jump in my time machine and zip back just to be a spectral hallucination vibrating just out of the corner of Billy's eye as he kicks the shit out of this beautiful packed-with-energy annuciato: The Dead are Coming, Here Come the Dead.
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