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Carrion_Crow

Stealth Head

+48136


Submissions

1
Wharf Rat
Sept. 30, 1976
Mershon Auditorium, OSU

Remarkable part of one of the rare hour + extended jams, great transitions in and out of it and a heartfelt beauty on its own.
2
El Paso
Sept. 30, 1976
Mershon Auditorium, OSU

Phil rips this one wide open with a brilliant countersolo to Jerry's brilliancies and whirlygigs. Strong version here.
3
Johnny B. Goode
Sept. 28, 1976
Onondaga County War Memorial

I think they encored JBG whenever they knew they'd absolutely nailed it. It's like comedians telling "The Aristocrats". Musicians can just tell....
9
Dancin' in the Streets
Sept. 28, 1976
Onondaga County War Memorial

How on earth is this not up yet? It really kicks off the Fall '76 retooling of Dancin' with style. Brilliant, tight, and part of an enormous 2nd set.
6
New Minglewood Blues
Sept. 28, 1976
Onondaga County War Memorial

This one and the 07.18.76 versions are both so goddamned good. Jerry is a tsunami behind snarlin' Bobby. So gritty, so good.
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Comments

Scarlet Begonias
Dec. 31, 1976
Cow Palace

Phil's running counterpoint to Jerry throughout the long jam is a masterclass on its own. Love the deconstruction of the outro theme before the finally land on it and come together like presto! hop! magic. As much as I loved Scarlet>Fire, I treasure the solo Scarlets too.
Good Lovin'
Dec. 31, 1976
Cow Palace

That's a mysterious little theme they bring in twice, but it doesn't sound that much like the Samson to me. It seems way too precise to be totally spontaneous, as they all land on it both times without a single note or beat a hair out of place. Maybe they were rehearsing a new song or jam that didn't survive into '77? Cool stuff.
Wharf Rat
Dec. 31, 1976
Cow Palace

The transition in from a brilliant Eyes is a thing of pure beauty. Man, could a good sweet Wharf Rat bring you back in to reality when you needed it most, and here everyone is just whispering and cooing into your ears in just the sweet spot. Check out the gentle Donna tones around 5:30 and tell me that wouldn't put peace into your heart? But then of course trickster Jerry comes in with that biting tone (some guitarist out there know what he was using then?) that would tear through the world like a flaming buzzsaw. Great version in a wall-to-wall highlights show.
Eyes Of The World
Dec. 31, 1976
Cow Palace

Fast and precise, with beautiful ensemble playing... but that transition into Wharf Rat is the smoothest just-exactly-perfect thing I've heard. Spectacular transition: Must have pulled a lot of trippin' hippies out of a wild spin and back into the sweet sweet mellow mellow.
Playin' In The Band
Dec. 31, 1976
Cow Palace

Agreed that this is a beaut. This one goes through several phases, with the noted jam at around 10:00 and then another transition into a more biting/buzzsaw tone around 15:00. It holds at a simmer rather than a boil, however so if you're looking for mad freaky weirdness then this won't necessarily scratch every itch.
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