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Carrion_Crow
Stealth Head
+48136
Submissions
1
Samson and Delilah
June 22, 1976
Tower Theatre
These early ones have such brilliant swagger, you can really hear the gospel power to them
6
The Wheel
June 22, 1976
Tower Theatre
Such floating beauty, you can feel the tires humming down the highway. Part of a magic Playin' sammy too. Everything about this is brilliant.
3
Cassidy
June 22, 1976
Tower Theatre
Just exactly perfect here. Bobby and Donna were perfection in '76, The little AUD patch doesn't hurt at all. Jerry and the Devils tear it up.
2
Looks Like Rain
June 22, 1976
Tower Theatre
Donna and Bobby in perfect sync, beautifully harmonizing, and backed up with brilliant Jerry fretwork. '76 was Donna's best year by far.
4
The Music Never Stopped
June 21, 1976
Tower Theater
Short set opener, but if there's one where Donna saves it all with breathy ahhhs and mmmms, it's this one. Gentle whispers around 03:30.
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Comments
They Love Each Other
Dec. 31, 1976
Cow Palace
This signals exactly where they've been and where they're going. The transition year behind them, '77 coming on strong... a great and historically relevant version. Could be much higher, but probably sits between the '73 and the '77 fans' choices.
Bertha
Dec. 31, 1976
Cow Palace
Best one of the year: Deliberate, tight and right. Compare this to the weirdly accidental previous one they played on 15 October (the only clunker in that otherwise world-shatteringly brilliant show) and this makes me think they'd been thinking about bringing Bertha back into rotation, rehearsed it, nailed it, and brought it back in with diesel.
Comes A Time
Oct. 15, 1976
Shrine Auditorium
The transition out of this is so good it transforms the Franklin's that comes after it into an almost entirely different song. Strong performance and great show. Check out around 08:00: They go into a 12/8 meter riff that may be unique in the oeuvre. In any case this may be my top choice Comes A Time of all time.
The Other One
Oct. 15, 1976
Shrine Auditorium
Both a musically tight, breakneck roller-coaster and a psychedelicore madhouse filled with twists and turns a jump-out-at you moments of mind melting gooeyness. Around 08:35 they sound like they're going into a totally new jam, but it gets whisked away like so many hallucinations. Brilliant suite and one of the best of the few TOO of the year.
He's Gone
Oct. 15, 1976
Shrine Auditorium
This is one of the best shows of 1976, and every song just jams and jams beautifully (except maybe Bertha, which sounds like an unplanned mess). This He's Gone is one luscious peak after another. So beautiful, so fine.
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