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Carrion_Crow

Stealth Head

+48136


Submissions

2
Samson and Delilah
Sept. 27, 1976
Community War Memorial Auditorium

Stunning. Chronically underrated song in a chronically underrated year: Listen to Jerry blaze through this like a man with 100 fingers.
1
The Music Never Stopped
Sept. 27, 1976
Community War Memorial Auditorium

Note for note brilliant. Jerry is blazing over the band with one brilliant line after another. Great set capper.
1
Looks Like Rain
Sept. 27, 1976
Community War Memorial Auditorium

Solid emotionally charged version with a great balanced soundboard right as the Fall tour kicks into blistering hot gear.
4
Samson and Delilah
Sept. 24, 1976
William and Mary College Hall

Fall of '76 is peak time for Samsons, and this one just struts. Great feeling for this under-the-radar show.
4
Stella Blue
March 19, 1973
Nassau Coliseum

Peak musicianship and total communication of the band at one of their most telepathic moments as a group. Jerry's vox is sublime.
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Comments

They Love Each Other
Dec. 31, 1976
Cow Palace

This signals exactly where they've been and where they're going. The transition year behind them, '77 coming on strong... a great and historically relevant version. Could be much higher, but probably sits between the '73 and the '77 fans' choices.
Bertha
Dec. 31, 1976
Cow Palace

Best one of the year: Deliberate, tight and right. Compare this to the weirdly accidental previous one they played on 15 October (the only clunker in that otherwise world-shatteringly brilliant show) and this makes me think they'd been thinking about bringing Bertha back into rotation, rehearsed it, nailed it, and brought it back in with diesel.
Comes A Time
Oct. 15, 1976
Shrine Auditorium

The transition out of this is so good it transforms the Franklin's that comes after it into an almost entirely different song. Strong performance and great show. Check out around 08:00: They go into a 12/8 meter riff that may be unique in the oeuvre. In any case this may be my top choice Comes A Time of all time.
The Other One
Oct. 15, 1976
Shrine Auditorium

Both a musically tight, breakneck roller-coaster and a psychedelicore madhouse filled with twists and turns a jump-out-at you moments of mind melting gooeyness. Around 08:35 they sound like they're going into a totally new jam, but it gets whisked away like so many hallucinations. Brilliant suite and one of the best of the few TOO of the year.
He's Gone
Oct. 15, 1976
Shrine Auditorium

This is one of the best shows of 1976, and every song just jams and jams beautifully (except maybe Bertha, which sounds like an unplanned mess). This He's Gone is one luscious peak after another. So beautiful, so fine.
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