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Carrion_Crow

Stealth Head

+48136


Submissions

5
Mama Tried
July 17, 1976
Orpheum Theatre

It's got everything nice about the '76 sound: Crisp and clean while laid back. Perfect execution.
4
Cassidy
July 16, 1976
Orpheum Theatre

Bobby's warmup after a CRS opener helps kick off one of the best 1st sets of 1976. Part of the brief era when they mic'd and mixed Donna beautifully
4
The Wheel
July 14, 1976
Orpheum Theatre

Gets right weird as part of a deep PITB sammy. How many first set spacemelts are there in '76? Something in the water for this hometown show???
3
Looks Like Rain
July 14, 1976
Orpheum Theatre

How these guys (and gal) could turn such a cheese-ball song into massive lift-off spaceship jam event horizon is a modern miracle of music.
2
The Wheel
July 12, 1976
Orpheum Theater

Smooth running, out of a very cool, thematically coherent Drums. Beautiful harmonies. Every Wheel is an elegant treat from '76, and this is a beaut.
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Comments

The Wheel
Oct. 10, 1976
Oakland-Alameda County Coliseum

Dick knew what he was doing by including the 10th in DP33, because this whole show is just bonkers good. I think the 10th's first set is genuinely better than the 9ths, but the second set is just amazing. This Playin'>Drums>Wheel>Drums>TOO>Stella>Playin' is as outrageous a set as you're going to find. Love this Wheel.
Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Agreed with the above comment, and this one seems to capture that '73 meltdown wildness in a 'lightning in a bottle' concision that makes this one arguably the best Playin' of '76.
Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Sorry about the reposts. Computer problems.
Dancin' in the Streets
Oct. 10, 1976
Oakland-Alameda County Coliseum

About six minutes in the band hits the warp drive, followed not one, not two, but three or four shifts in tone and direction, creating whole new feelings and moods. It's unique and exploratory, while also hitting highlights of tight-assed superfunk. This is one of the best of the year, in a year full of just brilliant versions. The long transition to Wharf Rat is just amazing, and it's exactly what I listen for in the 1000s of hours I devote to this music.
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