headyversion

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Carrion_Crow

Stealth Head

+48136


Submissions

1
Samson and Delilah
June 22, 1976
Tower Theatre

These early ones have such brilliant swagger, you can really hear the gospel power to them
6
The Wheel
June 22, 1976
Tower Theatre

Such floating beauty, you can feel the tires humming down the highway. Part of a magic Playin' sammy too. Everything about this is brilliant.
3
Cassidy
June 22, 1976
Tower Theatre

Just exactly perfect here. Bobby and Donna were perfection in '76, The little AUD patch doesn't hurt at all. Jerry and the Devils tear it up.
2
Looks Like Rain
June 22, 1976
Tower Theatre

Donna and Bobby in perfect sync, beautifully harmonizing, and backed up with brilliant Jerry fretwork. '76 was Donna's best year by far.
4
The Music Never Stopped
June 21, 1976
Tower Theater

Short set opener, but if there's one where Donna saves it all with breathy ahhhs and mmmms, it's this one. Gentle whispers around 03:30.
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Comments

The Wheel
Oct. 10, 1976
Oakland-Alameda County Coliseum

Dick knew what he was doing by including the 10th in DP33, because this whole show is just bonkers good. I think the 10th's first set is genuinely better than the 9ths, but the second set is just amazing. This Playin'>Drums>Wheel>Drums>TOO>Stella>Playin' is as outrageous a set as you're going to find. Love this Wheel.
Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Agreed with the above comment, and this one seems to capture that '73 meltdown wildness in a 'lightning in a bottle' concision that makes this one arguably the best Playin' of '76.
Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Sorry about the reposts. Computer problems.
Dancin' in the Streets
Oct. 10, 1976
Oakland-Alameda County Coliseum

About six minutes in the band hits the warp drive, followed not one, not two, but three or four shifts in tone and direction, creating whole new feelings and moods. It's unique and exploratory, while also hitting highlights of tight-assed superfunk. This is one of the best of the year, in a year full of just brilliant versions. The long transition to Wharf Rat is just amazing, and it's exactly what I listen for in the 1000s of hours I devote to this music.
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