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Carrion_Crow

Stealth Head

+48136


Submissions

6
Black Throated Wind
Sept. 15, 1972
Boston Music Hall

This starts with understated, almost hesitant steps, then builds into a towering emotional rage. Its arc fits its words. Great stuff.
5
Tennessee Jed
Sept. 15, 1972
Boston Music Hall

Crisp soloing and clear, limpid lines from the inexhaustible well of musical ideas here. Jed has never been my top song, but Jer just sparkles here.
9
He's Gone
Sept. 9, 1972
Hollywood Palladium

Smooth and cool. C.Miller's cleanup brings out a lush mix that just sounds sooooo good. Great segue into Truckin', too.
10
Sugaree
Sept. 9, 1972
Hollywood Palladium

Smooth as butter, this one. Note for note beauty.
5
Bird Song
Sept. 3, 1972
Folsom Field, University of Colorado

Don't let the murky and C+ sound stop you from this gem. Would someone with C. Miller's phone number ask him about this show, please?

Comments

The Wheel
Oct. 10, 1976
Oakland-Alameda County Coliseum

Dick knew what he was doing by including the 10th in DP33, because this whole show is just bonkers good. I think the 10th's first set is genuinely better than the 9ths, but the second set is just amazing. This Playin'>Drums>Wheel>Drums>TOO>Stella>Playin' is as outrageous a set as you're going to find. Love this Wheel.
Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Agreed with the above comment, and this one seems to capture that '73 meltdown wildness in a 'lightning in a bottle' concision that makes this one arguably the best Playin' of '76.
Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Sorry about the reposts. Computer problems.
Dancin' in the Streets
Oct. 10, 1976
Oakland-Alameda County Coliseum

About six minutes in the band hits the warp drive, followed not one, not two, but three or four shifts in tone and direction, creating whole new feelings and moods. It's unique and exploratory, while also hitting highlights of tight-assed superfunk. This is one of the best of the year, in a year full of just brilliant versions. The long transition to Wharf Rat is just amazing, and it's exactly what I listen for in the 1000s of hours I devote to this music.