headyversion

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Carrion_Crow

Stealth Head

+48136


Submissions

2
Samson and Delilah
June 23, 1976
Tower Theatre

More and more I'm convinced that the earliest Samsons are the best. So confident, so full of strut and swagger. Any other era with such consist force?
2
Promised Land
June 23, 1976
Tower Theatre

Keith and Jerry are manic pinball flippers bouncing their solos off each other here. Fun set closer.
3
Brown Eyed Women
June 23, 1976
Tower Theatre

Smooth and satisfying, rouses the crowd right up too. What a sweet show this is.
2
Mama Tried
June 23, 1976
Tower Theatre

Fun, raucous, and rowdy, but full of tight ensemble jamming and a nice Bobby/Jerry balance, allowing you to hear Cowboy Bob's great backup work.
5
Sugaree
June 23, 1976
Tower Theatre

Jerry's voice is at his most elegant, showing some smoke. Keith is supremely intuitive and beautiful, the band goes higher and higher. Great version.
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Comments

They Love Each Other
Sept. 27, 1976
Community War Memorial Auditorium

One of the best from '76, with just a touch of insouciant strut.
Not Fade Away
Sept. 25, 1976
Capital Centre

NFA can be so sweet when they dial it down. Here the voices are full of feeling, and it really feels like the big love.
Scarlet Begonias
Sept. 25, 1976
Capital Centre

Starts really muscular for a SB, just pumped full of vitamins and bursting at the seams with an almost ska or Caribbean carnival vibe to it. Once the melody is done they turn the heat down but she's still simmering away. The explorations begin and it's a great great ride. At one point Phil and Jerry are in spontaneous counterpoint. I love the stand-alones and this one is top shelf.
Cosmic Charlie
Sept. 25, 1976
Capital Centre

We used to hold signs and wear teeshirts calling for Cosmic Charlie. There was even some acid inspired shenanigans calling it a "campaign" or something. Never came back, though did it. It's just one of the mysteries.
Mississippi Halfstep Uptown Toodeloo
Sept. 25, 1976
Capital Centre

Beautiful version full of sparkle and joy, Keith and Jerry in the outro are just glorious. Nice to hear Bobby so clearly on the DP version.
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