headyversion

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Carrion_Crow

Stealth Head

+48135


Submissions

3
Big Railroad Blues
Nov. 15, 1972
Oklahoma City Music Hall

Turns on a dime from the cerebral extended PiTB jam into a coal-burnin' tight jam with force and power. Hot stuff showing off their limitless range.
7
Box of Rain
Nov. 15, 1972
Oklahoma City Music Hall

Having held "sing something Phil" banners, I always had a soft spot for BoR. This one is tightly played and powerfuly sung. Good stuff!
3
Uncle John's Band
Nov. 14, 1972
Oklahoma City Music Hall

Hard rockin' version coming after a deliriously epic 2nd set suite. Crunchy and powerful.
8
He's Gone
Nov. 14, 1972
Oklahoma City Music Hall

A long, smooth outro allows for a little musical discussion whether it's going to TOO or Truckin'. Great stuff that must have stolen many faces.
5
China Cat Sunflower -> I Know You Rider
Nov. 14, 1972
Oklahoma City Music Hall

This CC is so sweet and much longer than others of the era before signaling the >IKYR, with lots of room to stretch out and find the sound.
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Comments

Mississippi Halfstep Uptown Toodeloo
April 27, 1977
Capitol Theatre

Archive is down due to some wack hackers, so only able to watch and listen to the video on YT. This version is full of joy and triumphant, but I can't help but wonder what better sound quality there might be out there. Ahhh, we're spoiled, but the archive giveth and the technodipshits taketh away.... Maybe it's time to dig out the old downloads.
Promised Land
April 27, 1977
Capitol Theatre

Thanks Mercury! That's a solid link.
And We Bid You Goodnight
Feb. 11, 1969
Fillmore East

Upvote for Phil's clear sweet baritone.
Feedback
Feb. 11, 1969
Fillmore East

Tight short tweeky feedback to close out the Caution jam in top form. Everyone sounds in on it, including rare Tom. Fun stuff that sounds very freaky even now, 50+ years later.
Caution
Feb. 11, 1969
Fillmore East

I don't always think "coherent" when I think of Caution. I love it for its out-of-control spinning like a lopsided top, but this one is a strong singular statement of intensity and hard shredding before it tips over into tweaky feedback. Like the Dark Star earlier in the set they seemed to hold it in throughout this killer set, and the result is tight, strong showing of the legendary '69 sound.
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