headyversion

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Carrion_Crow

Stealth Head

+48136


Submissions

2
Samson and Delilah
June 23, 1976
Tower Theatre

More and more I'm convinced that the earliest Samsons are the best. So confident, so full of strut and swagger. Any other era with such consist force?
2
Promised Land
June 23, 1976
Tower Theatre

Keith and Jerry are manic pinball flippers bouncing their solos off each other here. Fun set closer.
3
Brown Eyed Women
June 23, 1976
Tower Theatre

Smooth and satisfying, rouses the crowd right up too. What a sweet show this is.
2
Mama Tried
June 23, 1976
Tower Theatre

Fun, raucous, and rowdy, but full of tight ensemble jamming and a nice Bobby/Jerry balance, allowing you to hear Cowboy Bob's great backup work.
5
Sugaree
June 23, 1976
Tower Theatre

Jerry's voice is at his most elegant, showing some smoke. Keith is supremely intuitive and beautiful, the band goes higher and higher. Great version.
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Comments

Bertha
Sept. 25, 1976
Capital Centre

The piano is really high up in the mix, especially on the archive version, almost to the point where it sounds like a totally different arrangement. Interesting... but I wouldn't call it as one of my favorites.
Help On The Way > Slipknot > Franklin's Tower
Sept. 24, 1976
William and Mary College Hall

Really special Slipknot > Drums here. On its own the Slip is amazing, but I swear that half the band is trying to go into Dancin' in the Streets, making for a really beautiful transition back out of the Drum section. It's definitely there in the alchemical mix, but 'twas not to be.
Might As Well
Sept. 24, 1976
William and Mary College Hall

Jerry sounds positively joyous. This song always brought on the good times, but this one is really worth something extra.
Eyes Of The World
March 19, 1973
Nassau Coliseum

Thank you Charlie Miller! Could you be a lurker on this site??? Yes or no, your work has given me/us 1000s of hours of pleasure. This cleanup should put this Eyes way up higher on the list, and the whole show too.
Truckin'
March 19, 1973
Nassau Coliseum

The new mixes by Charlie Miller make this previously underrated show a great pleasure. This NFBM jam simmers and bubbles, crackling with energy. So nice to revisit this show with a new sound.
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