headyversion

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Carrion_Crow

Stealth Head

+48136


Submissions

1
Samson and Delilah
June 22, 1976
Tower Theatre

These early ones have such brilliant swagger, you can really hear the gospel power to them
6
The Wheel
June 22, 1976
Tower Theatre

Such floating beauty, you can feel the tires humming down the highway. Part of a magic Playin' sammy too. Everything about this is brilliant.
3
Cassidy
June 22, 1976
Tower Theatre

Just exactly perfect here. Bobby and Donna were perfection in '76, The little AUD patch doesn't hurt at all. Jerry and the Devils tear it up.
2
Looks Like Rain
June 22, 1976
Tower Theatre

Donna and Bobby in perfect sync, beautifully harmonizing, and backed up with brilliant Jerry fretwork. '76 was Donna's best year by far.
4
The Music Never Stopped
June 21, 1976
Tower Theater

Short set opener, but if there's one where Donna saves it all with breathy ahhhs and mmmms, it's this one. Gentle whispers around 03:30.
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Comments

The Wheel
July 16, 1976
Orpheum Theatre

Much more powerful on the vocals than many of the others around this time. They really belt it out as an ensemble and it's brilliant. The whole 2nd set is jaw-dropping.
Scarlet Begonias
July 16, 1976
Orpheum Theatre

Just sublime. An absolute punch-up beeyute of a standalone Scarlet. I know this is sacrilege to some of you, but I really appreciate the standalones before Scarlett was ankle-chained forever to FTM. Now I love those too, don't get me wrong, but finding SB as a set-closer (this one), or somewhere between others songs in a long jam (check her out on 15 June 1976 in between Sugar Mag and SSDD) gave it a lot of freedom that somehow got lost later on. Just sayin'.
Pretty Peggy O
July 16, 1976
Orpheum Theatre

Really should be higher. This has a strong pulse, sweet soloing, and a powerful rocking feel.
Brown Eyed Women
July 16, 1976
Orpheum Theatre

You can hear them develop a new sound for this song on both this one and the version from the 14th. There's no other way to describe it, but it's the first real indication to my ear of where they'd be by the beginning of '77, more crisp, more clean, and much more polished.
Cassidy
July 16, 1976
Orpheum Theatre

Barlow's beautiful essay about this masterpiece: https://www.litkicks.com/BarlowOnNeal
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