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Carrion_Crow

Stealth Head

+48136


Submissions

17
He's Gone
Aug. 25, 1972
Berkeley Community Theatre

Note for note precise, beautiful playing. The outro is lovely and doesn't descend into madness. Donna gives it a nice gospel touch.
29
Cold Rain and Snow
Aug. 25, 1972
Berkeley Community Theatre

Kicks off arguably the best show of '72. Tight, fun, and rockin'. Great show opener.
3
Greatest Story Ever Told
Aug. 24, 1972
Berkeley Community Theatre

If this were any week in Dead history other than before Veneta, it would already have 20 votes. Give it a listen. The whole show rocks.
2
Me and My Uncle
Aug. 24, 1972
Berkeley Community Theatre

Keith's versatility from swooshing psychedelic soarer to a honky-tonk barrelhouse master is on full display.
4
Jack Straw
Aug. 24, 1972
Berkeley Community Theatre

Pretty much note for note perfect, like this whole show.

Comments

Dark Star
April 24, 1972
Rheinhalle

Back here for more. It's really that good. After nearly 40 minutes of creating whole cosmos out of the air it almost sounds like they might land back into Playin' then maybe back into Dark Star melody for the second chorus, then into that beautiful Wharf Rat. Like a spinning twenty-sided die it could have landed anywhere, perfectly. G'damn, but this one deserves its spot on the front page.
Truckin'
April 24, 1972
Rheinhalle

When they open a show like this you just know you're in for something special. They are so tight from the jump, everyone in perfect sync, Jerry and Phil in perfect co-soloing mind-meld with Keith a bright comet overhead. Even the vocals are beautiful. Honest here, we chronically overlook Truckin' as heads, but I think it's ALWAYS (1970-1995) the best measure of how on they were for any given show. This one is just exactly perfect.
Dark Star
Sept. 27, 1972
Stanley Theatre

A long twisting story filled with beautiful forking paths. Jerry is an inspired lyricist, fluttering just out of reach like a thousand moths in moonlight.
Playin' In The Band
Sept. 27, 1972
Stanley Theatre

Agreed that this is pretty mellow next to the sustained firepower of the colossal August - November Playin' marathon after Europe. It's honestly an embarrassment of riches, (shout out to the August Berkeley shows for being chronically under appreciated), but I find something special in this one because it has elements that almost sound more like the electric Miles Davis-infused 1974 sound.
Black Throated Wind
Sept. 27, 1972
Stanley Theatre

This starts so calm and sane and soulful, then does that ramping-up thing and becomes a manic hurtling 18-wheeler. '72 may be the best year for BTW and this one is right up there with 'em.