headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+48135


Submissions

3
Sugaree
Nov. 14, 1972
Oklahoma City Music Hall

So smooth, so warm. 2nd song in the show, and they sound like its late 2nd set. Gem of a show, gem of a song.
1
Brown Eyed Women
Nov. 13, 1972
Soldiers and Sailors Memorial Hall

The Bear tape is a bit over-saturated, but the band is just killing it from all corners. Don't pass this one up out of aud-o-phobia.
3
China Cat Sunflower -> I Know You Rider
Nov. 13, 1972
Soldiers and Sailors Memorial Hall

Look for the Bear recording, which is the proper speed: You'll find a killer version with an explosive transition than just soars.
1
Loser
Nov. 13, 1972
Soldiers and Sailors Memorial Hall

Jerry's diamond hard-edged tone slices and slashes achingly, hauntingly, and clear desperado mode.
5
Bird Song
Nov. 12, 1972
Soldiers' and Sailors' Memorial Hall

Just Jerry, Phil, and Bobby are audible in this weird tape - but what a study of their communication. Worth a listen for that alone.
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Comments

The Other One
Feb. 28, 1969
Fillmore West

The Dead invented hard rock. There it is. This is when they were at their most dangerous, their most 'hide the kids' threatening to the squares. This version shoots you out of the cannon and blows you to a million pieces, before landing back safely at the beautiful Cryptical to follow: Jagged and heavy peaks, scary circles within circles and loops and fractal roller coasters where you're either on the bus or under it. Those who know don't always say, and those who say don't always know....
Promised Land
April 27, 1977
Capitol Theatre

Video link please? They all seem to have been removed.
Samson and Delilah
April 26, 1977
Capitol Theater

Swagger and strut. Bobby just owns the vocals, plus what's been said here already about Keith, who's just brilliant throughout this underrated show.
Eyes Of The World
April 26, 1977
Capitol Theater

Eyes Of The World
April 26, 1977
Capitol Theater

Nice long stretched out version with sparkling Keith accents throughout the long, lucid, solos showcasing Jerry at his clear-headed best. Don't let the AUD fool you. This is worth the ride. The transition to Samson is pretty weird for a few moments, like they were going into something else or a totally new territory before landing on it.
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