headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+48130


Submissions

9
The Music Never Stopped
June 15, 1976
Beacon Theatre

Really short, but very tight. Jerry ends with a cascading riff that sounds like spotaneous composition. Anyone know if they played this jam again?
9
Candyman
June 15, 1976
Beacon Theatre

A subtle beauty. Just a bit of swagger, just a bit of grit, lots of fine singing, and an acqueous solo for the ages.
6
Samson and Delilah
June 14, 1976
Beacon Theatre

Scorchin' hot barnburner here. The Rhythm Devils push this one ever hotter. Bobby and Donna sound perfect together.
2
Dancin' in the Streets
June 12, 1976
Music Hall

Superb version, surprising not listed yet. Tighter to my ears than the other more well-known ones in the Boston run. Check it out!
3
Johnny B. Goode
June 11, 1976
Boston Music Hall

MORE COWBELL! (And some very tight, blistering rock, sweet ensemble vocals, and good times for everyone after a great great show.)

Comments

Eyes Of The World
June 16, 1974
Iowa State Fairgrounds

This moves through phases along the way but gets there in style! Hits brilliant experimental patches and flirts at weirdness (never really getting there) when all at once-blam-o! It lands you in... BIG RIVER?!? What a mind-fuck that must have been for the Heads in attendance. Gotta love them for such spontaneity.
Cassidy
April 26, 1977
Capitol Theater

Sorry about the multiple posts. My rig ain't working.
Cassidy
April 26, 1977
Capitol Theater

Don't let a scuffy AUD scare you away from this pristine Cassidy. Bobby and Donna are in sweet harmony, and the band has that 'hot mellow' perfection: Not rushing, but scorching earth. Jerry swoops and soars, riding thermals behind that Cadillac like an eagle chasing prey.
Cassidy
April 26, 1977
Capitol Theater

Wharf Rat
April 25, 1977
Capitol Theater

Hey I just listened to this suite again and think the WR>Jam idea might be wrongly labeled. At 10:48 or so Jerry changes key back into Playin' and the band follows immediately. Their meter changes too and it sounds more like 10/4 (Playin') than 6/8 (WR) to my ears. This doesn't change a damned thing or detract from what's been said, but I think this is a Playin'>WR>Playin'>Meltdown>Playin' suite. Thoughts?