headyversion

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Carrion_Crow

Stealth Head

+48135


Submissions

2
Let It Grow
June 4, 1976
Paramount Theatre

Fires off like a rocket. Souped up and accelerated. Is this the first LiG without the WRS to introduce it? It's a speed demon top notch version.
1
Playin' In The Band
June 4, 1976
Paramount Theatre

This is a weird one. At times it seems like they forgot it was PiTB and went back to the HSF jam. Fun, but waaaaaaaaay loose.
1
Lazy Lightnin' -> Supplication
June 4, 1976
Paramount Theatre

Short, sweet, brand new, and flawless.
1
Friend of the Devil
June 4, 1976
Paramount Theatre

Brilliant early "slow version". I always prefered the desperado fast-paced ones, but this turns into a brilliant exploration and improv vehicle.
3
Uncle John's Band
Dec. 31, 1972
Winterland Arena

Uptempo, powerful, strong vocals. This is top shelf UJB. With David Crosby for that extra oomph, and with a tigh outro, it's strangely not here yet.
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Comments

Ship of Fools
April 25, 1977
Capitol Theater

Sweet treat indeed. Jerry's voice is perfectly rescued in the C.Miller upgrade, and the band is a graceful waterfall behind him.
Lazy Lightnin' -> Supplication
April 25, 1977
Capitol Theater

Nice angular sparkle to the whole jam here.
Deal
April 25, 1977
Capitol Theater

Hot streak. This and the NMB before it just come ready to party. We know in retrospect the wall-to-wall peaks from April-May '77 but can you put yourself in the scene and imagine thinking... what the fuuuuuuuuuuuuuck just happened? Weren't these guys mellow just a few months ago?
Not Fade Away
April 23, 1977
Springfield Civic Center

Kieth continues his visit from the future experimenting with synthnoise settings that could have easily been from the ten years later. Set's a cool groove with what sounds like a Moog/DX7 and Hammond Organ rig around 5 minutes in while Jerry and Bobby are slowly boiling everybody's brains for what must have been a long strange trip to round out the set.
Goin' Down The Road Feelin' Bad
April 23, 1977
Springfield Civic Center

This one really deserves its spot on the front page, even for a a song played 300 times more or less over the years. Like much of this show it seems tentative at times but of a sudden turns just colossally confident. The oomph that everyone mentions is real, and they orchestrate the highs and lows to perfection.
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