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Carrion_Crow

Stealth Head

+48130


Submissions

2
Pretty Peggy O
Oct. 14, 1976
Shrine Auditorium

Powerful version. Is the only reason it's not yet here because only AUDs exist? Jeez Heads, get it together!
3
Cassidy
Oct. 14, 1976
Shrine Auditorium

Absolute ripper. Band sounds like they started warm and heated up. Great first set.
2
Johnny B. Goode
Oct. 10, 1976
Oakland-Alameda County Coliseum

Starts with Jerry barking orders: "Rock and Roll! Rock and Roll!" and it doesn't disappoint. Caps off a high intensity blazing glory of a show. DP33.
1
The Other One
Oct. 2, 1976
Riverfront Arena

Rare for '76, it starts a bit rough, but then finds its gear and blasts off. It sounds a bit like a mid-80s version to this head.
3
The Music Never Stopped
Oct. 2, 1976
Riverfront Arena

MLB makes a mini-return 4 minutes in when Jerry pulls Phil out of the song for some fun. MLB is the origin of TMNS. Here they are together.
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Comments

Ship of Fools
April 25, 1977
Capitol Theater

Sweet treat indeed. Jerry's voice is perfectly rescued in the C.Miller upgrade, and the band is a graceful waterfall behind him.
Lazy Lightnin' -> Supplication
April 25, 1977
Capitol Theater

Nice angular sparkle to the whole jam here.
Deal
April 25, 1977
Capitol Theater

Hot streak. This and the NMB before it just come ready to party. We know in retrospect the wall-to-wall peaks from April-May '77 but can you put yourself in the scene and imagine thinking... what the fuuuuuuuuuuuuuck just happened? Weren't these guys mellow just a few months ago?
Not Fade Away
April 23, 1977
Springfield Civic Center

Kieth continues his visit from the future experimenting with synthnoise settings that could have easily been from the ten years later. Set's a cool groove with what sounds like a Moog/DX7 and Hammond Organ rig around 5 minutes in while Jerry and Bobby are slowly boiling everybody's brains for what must have been a long strange trip to round out the set.
Goin' Down The Road Feelin' Bad
April 23, 1977
Springfield Civic Center

This one really deserves its spot on the front page, even for a a song played 300 times more or less over the years. Like much of this show it seems tentative at times but of a sudden turns just colossally confident. The oomph that everyone mentions is real, and they orchestrate the highs and lows to perfection.
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