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Carrion_Crow

Stealth Head

+48130


Submissions

2
Samson and Delilah
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

Bobby tears it up, not just vocally, but through brilliant guitar work
2
Looks Like Rain
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

No doubt with a better source this would be high up on the list. Listen to Jerry's supersonic flyby as Bobby and Donna caress the out chorus.
2
Lazy Lightnin' -> Supplication
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

Help us Charlie Miller, you're our only hope! Seriously though, this is a blisteringly hot version. Don't miss it.
1
Dancin' in the Streets
Aug. 26, 1976
Club Front Studio

Very cool studio rehearsals with new grooves and wildly flanged sound. Fall '76 versions are some of the best, and here they are still in the egg.
7
The Music Never Stopped
Aug. 4, 1976
Roosevelt Stadium

Jerry tears this one apart with a shredding solo. The link here is bass-heavy SBD with some decay, but just brilliant playing by all.
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Comments

Eyes Of The World
June 20, 1974
The Omni

It's been a long time since I dipped back into this tour and wow. This is a gem. It has that unmistakeable drive and power of the great '74s and some of Phil's best soloing. What a powerful statement. With that tight odd-metered outro (7/8 + 7/8 + 6/8 I think, maybe... though I'll be damned if I've ever figured it out) I can fully understand why they might have been thinking about an eventual Eyes>Slipknot combination, but this is it, really. Did they ever develop this knuckle-busting combo any further?
Cassidy
April 23, 1977
Springfield Civic Center

I feel like this might be the first moment in the year when you can really hear how categorically they changed their ensemble concept from '76 to '77.
Sugaree
April 23, 1977
Springfield Civic Center

How bold is it to OPEN with Sugaree? At its fastest this is a mid-tempo swing and it is - by my memories - somewhat notorious for pulling down the vibe when they kicked off too slow. Not this puppy. It's got a strong pulse and grooves from note one. And Jerry means business from the jump. His solos are pristine lines of inspiration. Also: Note one is the tinkling homage to Dylan's "Everyone Must Get Stoned", undoubtedly. Have a listen on the C. Miller version and tell me I'm wrong!
The Wheel
April 22, 1977
The Spectrum

The Wheel was always good medicine. This one starts like a mirage on a hot highway fluttering in the distance, then coalesces into a perfect form, just perfect before that really really pristine Lady With a Fan section of Terrapin. As much as I love this show, this is the first part of the set where they're really playing as one. The S>F is super loose and as cool as the Dancin' is, they seem to struggle to hit the bridge. But this... this is gooood medicine.
Got My Mojo Working
April 22, 1977
The Spectrum

I think this hardly counts as a Mojo. It really never ever coalesces around the song but is really just a riff/vamp within the Dancin'.
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