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Carrion_Crow

Stealth Head

+48135


Submissions

19
Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

So many brilliant ones, but you're missing a real treat if you count this one out. Particularly strong Franklin's but the Slipknot! is brilliant too.
9
Lazy Lightnin' -> Supplication
June 10, 1976
Boston Music Hall

I suppose everyone knows the one the night before, but this one is tighter & more overwhelming in that all-encompassing 7/4 mindmelt way.
9
The Music Never Stopped
June 10, 1976
Boston Music Hall

Airtight version with perfect orchestration. Especially sweet vocals with Donna Jean at her best. Never quite lifts off in the jam though.
3
Dancin' in the Streets
June 4, 1976
Paramount Theatre

How has this whole show been overlooked? I know '76 is generally undervalued, even by '70s fans, but c'mon, this is smokin' hot stuff.
2
Stella Blue
June 4, 1976
Paramount Theatre

Gorgeous vocals and a beautiful ensemble feel. This show is seriously underappreciated.
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Comments

The Other One
March 20, 1977
Winterland Arena

This one has a great arc to it. They cruise at warp6 for 10 hot minutes before leaving the jaw-grinding peak for a blissful spaceout. It's gripping as they find their way into Stella. Shout out to Keith, who just as they're coming into that peaceful interlude hits on a 4 over 12 vamp that I hadn't heard before, adding to the beauty.
St. Stephen
March 20, 1977
Winterland Arena

The outro jam is pretty special, warts and all. I love the few post-hiatus versions that have a clear "bell" jam before the last shout. Here it starts around 7:50 with repeating bass notes that sound like booming church bells, just like the lyrics tell us.
Promised Land
March 20, 1977
Winterland Arena

Jerry is just ripping it up here, as he is throughout the show.
Samson and Delilah
March 20, 1977
Winterland Arena

Shuffles along a bit loose until Jerry takes his solo after the second chorus that just rips the sky apart with his buzz saw. On the C. Miller edition you can hear some of Bobby's cool counterpoint spurring Jerry on that's missing too often from other versions.
Scarlet Begonias
March 20, 1977
Winterland Arena

That ending scrambled some brains, my god. That said, I can't be the only one who thinks that for all if its glory, Scarlet/Fire gave up the awesome lead-up to Scarlet's punctuated ending (here beginning around minute 11:00) that couldn't be regained when it always morphed into FoTM. But can we also have a moment for that rising intensity Jerry-driven insanity starting with the solo after "let her pass by"? Keith's kool kooky Kraftwerky keyboards also give this a nice Mars-era throwback sound (like the Phil and Ned stuff) during the slow sizzle period before that oooooh god-yes ending.
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