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Carrion_Crow

Stealth Head

+48136


Submissions

8
Me and My Uncle
Sept. 17, 1972
Baltimore Civic Center

Total badassery. This one bites down hard and has a little menace to it, as befits a song about murder.
4
Mexicali Blues
Sept. 17, 1972
Baltimore Civic Center

Serious giddyup.
4
Greatest Story Ever Told
Sept. 16, 1972
Boston Music Hall

Streaks across the sky like a comet. Choose the SBD version, you won't regret it. Bobby and Donny are totally on together.
2
Big Railroad Blues
Sept. 16, 1972
Boston Music Hall

Really needs a cleanup, or some miracle tapes to clear the sound on this little gem. They were on. Where's the rest of the SB?
3
Jack Straw
Sept. 16, 1972
Boston Music Hall

Listen through the murky AUD and you'll find a powerhouse version that clearly blew the doors off. Crowd energy contributes to a great version.

Comments

U.S. Blues (Wave That Flag)
March 20, 1977
Winterland Arena

Perfect party topper. Glyn's right about this one. I always felt that they closed with U.S. Blues when they knew they'd just thrown a good party. Closing out an epic three-show spot at Winterland with this as the double encore means to me that they'd had a great time too.
The Other One
March 20, 1977
Winterland Arena

This one has a great arc to it. They cruise at warp6 for 10 hot minutes before leaving the jaw-grinding peak for a blissful spaceout. It's gripping as they find their way into Stella. Shout out to Keith, who just as they're coming into that peaceful interlude hits on a 4 over 12 vamp that I hadn't heard before, adding to the beauty.
St. Stephen
March 20, 1977
Winterland Arena

The outro jam is pretty special, warts and all. I love the few post-hiatus versions that have a clear "bell" jam before the last shout. Here it starts around 7:50 with repeating bass notes that sound like booming church bells, just like the lyrics tell us.
Promised Land
March 20, 1977
Winterland Arena

Jerry is just ripping it up here, as he is throughout the show.
Samson and Delilah
March 20, 1977
Winterland Arena

Shuffles along a bit loose until Jerry takes his solo after the second chorus that just rips the sky apart with his buzz saw. On the C. Miller edition you can hear some of Bobby's cool counterpoint spurring Jerry on that's missing too often from other versions.