headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+48130


Submissions

2
Pretty Peggy O
Oct. 14, 1976
Shrine Auditorium

Powerful version. Is the only reason it's not yet here because only AUDs exist? Jeez Heads, get it together!
3
Cassidy
Oct. 14, 1976
Shrine Auditorium

Absolute ripper. Band sounds like they started warm and heated up. Great first set.
2
Johnny B. Goode
Oct. 10, 1976
Oakland-Alameda County Coliseum

Starts with Jerry barking orders: "Rock and Roll! Rock and Roll!" and it doesn't disappoint. Caps off a high intensity blazing glory of a show. DP33.
1
The Other One
Oct. 2, 1976
Riverfront Arena

Rare for '76, it starts a bit rough, but then finds its gear and blasts off. It sounds a bit like a mid-80s version to this head.
3
The Music Never Stopped
Oct. 2, 1976
Riverfront Arena

MLB makes a mini-return 4 minutes in when Jerry pulls Phil out of the song for some fun. MLB is the origin of TMNS. Here they are together.
show more submissions

Comments

The Other One
March 20, 1977
Winterland Arena

This one has a great arc to it. They cruise at warp6 for 10 hot minutes before leaving the jaw-grinding peak for a blissful spaceout. It's gripping as they find their way into Stella. Shout out to Keith, who just as they're coming into that peaceful interlude hits on a 4 over 12 vamp that I hadn't heard before, adding to the beauty.
St. Stephen
March 20, 1977
Winterland Arena

The outro jam is pretty special, warts and all. I love the few post-hiatus versions that have a clear "bell" jam before the last shout. Here it starts around 7:50 with repeating bass notes that sound like booming church bells, just like the lyrics tell us.
Promised Land
March 20, 1977
Winterland Arena

Jerry is just ripping it up here, as he is throughout the show.
Samson and Delilah
March 20, 1977
Winterland Arena

Shuffles along a bit loose until Jerry takes his solo after the second chorus that just rips the sky apart with his buzz saw. On the C. Miller edition you can hear some of Bobby's cool counterpoint spurring Jerry on that's missing too often from other versions.
Scarlet Begonias
March 20, 1977
Winterland Arena

That ending scrambled some brains, my god. That said, I can't be the only one who thinks that for all if its glory, Scarlet/Fire gave up the awesome lead-up to Scarlet's punctuated ending (here beginning around minute 11:00) that couldn't be regained when it always morphed into FoTM. But can we also have a moment for that rising intensity Jerry-driven insanity starting with the solo after "let her pass by"? Keith's kool kooky Kraftwerky keyboards also give this a nice Mars-era throwback sound (like the Phil and Ned stuff) during the slow sizzle period before that oooooh god-yes ending.
show more comments
headyversion loves the dead but is in no way affiliated with The Grateful Dead or affiliated enterprises. find out more >:) >:)