headyversion

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Carrion_Crow

Stealth Head

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Submissions

1
The Other One
Nov. 23, 1970
Anderson Theatre

Whether it's the 16th or the 23rd, it's a real humdinger. Perfect transition out of Truckin'.
5
The Other One
Nov. 16, 1970
Fillmore East

Whether it's the 16th or 23rd, it's a killerdillerthriller. Ripping version, with a perfect transition from Truckin'.
2
Big Railroad Blues
Nov. 16, 1970
Fillmore East

Energy and power that struts its stuff. This show seems direly overlooked. Very nice mix and sound quality.
5
China Cat Sunflower -> I Know You Rider
Nov. 16, 1970
Fillmore East

Beautiful jam and transition. The mix shows off Bobby nicely, which is rare for the era. His contribution is beautiful here. Enjoy.
2
King Bee
Nov. 16, 1970
Fillmore East

Sultry swaggering deeply opiated vibe, with a hot harp solo. Was this Pig or Will Scarlet?
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Comments

U.S. Blues (Wave That Flag)
March 20, 1977
Winterland Arena

Perfect party topper. Glyn's right about this one. I always felt that they closed with U.S. Blues when they knew they'd just thrown a good party. Closing out an epic three-show spot at Winterland with this as the double encore means to me that they'd had a great time too.
The Other One
March 20, 1977
Winterland Arena

This one has a great arc to it. They cruise at warp6 for 10 hot minutes before leaving the jaw-grinding peak for a blissful spaceout. It's gripping as they find their way into Stella. Shout out to Keith, who just as they're coming into that peaceful interlude hits on a 4 over 12 vamp that I hadn't heard before, adding to the beauty.
St. Stephen
March 20, 1977
Winterland Arena

The outro jam is pretty special, warts and all. I love the few post-hiatus versions that have a clear "bell" jam before the last shout. Here it starts around 7:50 with repeating bass notes that sound like booming church bells, just like the lyrics tell us.
Promised Land
March 20, 1977
Winterland Arena

Jerry is just ripping it up here, as he is throughout the show.
Samson and Delilah
March 20, 1977
Winterland Arena

Shuffles along a bit loose until Jerry takes his solo after the second chorus that just rips the sky apart with his buzz saw. On the C. Miller edition you can hear some of Bobby's cool counterpoint spurring Jerry on that's missing too often from other versions.
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