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Carrion_Crow

Stealth Head

+48135


Submissions

19
Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

So many brilliant ones, but you're missing a real treat if you count this one out. Particularly strong Franklin's but the Slipknot! is brilliant too.
9
Lazy Lightnin' -> Supplication
June 10, 1976
Boston Music Hall

I suppose everyone knows the one the night before, but this one is tighter & more overwhelming in that all-encompassing 7/4 mindmelt way.
9
The Music Never Stopped
June 10, 1976
Boston Music Hall

Airtight version with perfect orchestration. Especially sweet vocals with Donna Jean at her best. Never quite lifts off in the jam though.
3
Dancin' in the Streets
June 4, 1976
Paramount Theatre

How has this whole show been overlooked? I know '76 is generally undervalued, even by '70s fans, but c'mon, this is smokin' hot stuff.
2
Stella Blue
June 4, 1976
Paramount Theatre

Gorgeous vocals and a beautiful ensemble feel. This show is seriously underappreciated.
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Comments

China Cat Sunflower -> I Know You Rider
Dec. 6, 1971
Felt Forum, Madison Square Garden

The China Cat kind of 'chugs along' at a slower pace than others from the era, but they switch gears in the transition jam. They must have signaled each other to kick up the tempo and put some steam on it because it's night-and-day. Keeping with the highway metaphors: The IKYR has the inertia of an 18-wheeler cruising flat straight road in high gear and is just hella-good fun.
El Paso
Nov. 21, 1973
Denver Coliseum

Smoothest whiplash ever here: Musical magic in action coming in from a furious high-elevation Playin' with hardly a hint of the El Paso within it. Suddenly it hasn't just already started, but it has retroactively played itself into a forwardsback existence that was always there waiting too bloom outwards in its fractal filigree. Or maybe I'm just trippin' - hard to say.
Playin' In The Band
Oct. 25, 1973
Dane County Coliseum

Unique and beautiful piano-led motifs around 12:00 start with repeated notes high in the register that remind me of Keith Jarret's work with Charles Lloyd. It's undoubtable that they'd all been turned on to each other's music by this point and I know that Lloyd sat in once at the Family Dog on 03 August 1969.
Black Throated Wind
Oct. 25, 1973
Dane County Coliseum

BTW at its best. This accelerates in a perfect arc from its tentative and sheepish first lines of regret walking the blue highway towards its outraged manic triumphant 180° turn. Go back and get hurt again, Bobby, do it....
Big River
Oct. 25, 1973
Dane County Coliseum

Jerry's solo at 3:30 is a pristine three-chorus example of soloing over changes. Just killer, it is.
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