headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+48136


Submissions

3
Loser
Nov. 22, 1972
Austin Municipal Auditorium

The mix is off at first, vocals lost, but hang in there and you'll hear one of Jerry's most heavy metal solos on Loser ever. Absolute shredder.
2
Sugaree
Nov. 22, 1972
Austin Municipal Auditorium

Fantastic show opener, meaning business straight out of the gate. Solid, swinging pulse and great keywork from Keith.
7
Big Railroad Blues
Nov. 19, 1972
Hofheinz Pavilion

Powerfully locomotive version with lots of fun behind it.
3
Mexicali Blues
Nov. 19, 1972
Hofheinz Pavilion

Extra pop and stomp all over this one.
4
Me and Bobby McGee
Nov. 15, 1972
Oklahoma City Music Hall

Not everyone's favorite song, but I love it. This is an uptempo, airplay-tight, and beautifully sung version. Faster than most.
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Comments

Franklin's Tower
March 19, 1977
Winterland Arena

Check your pulse if you're still sitting still after this. This one rises on a beautiful accelerating arc, then quiets to a whisper.
China Cat Sunflower -> I Know You Rider
Dec. 6, 1971
Felt Forum, Madison Square Garden

The China Cat kind of 'chugs along' at a slower pace than others from the era, but they switch gears in the transition jam. They must have signaled each other to kick up the tempo and put some steam on it because it's night-and-day. Keeping with the highway metaphors: The IKYR has the inertia of an 18-wheeler cruising flat straight road in high gear and is just hella-good fun.
El Paso
Nov. 21, 1973
Denver Coliseum

Smoothest whiplash ever here: Musical magic in action coming in from a furious high-elevation Playin' with hardly a hint of the El Paso within it. Suddenly it hasn't just already started, but it has retroactively played itself into a forwardsback existence that was always there waiting too bloom outwards in its fractal filigree. Or maybe I'm just trippin' - hard to say.
Playin' In The Band
Oct. 25, 1973
Dane County Coliseum

Unique and beautiful piano-led motifs around 12:00 start with repeated notes high in the register that remind me of Keith Jarret's work with Charles Lloyd. It's undoubtable that they'd all been turned on to each other's music by this point and I know that Lloyd sat in once at the Family Dog on 03 August 1969.
Black Throated Wind
Oct. 25, 1973
Dane County Coliseum

BTW at its best. This accelerates in a perfect arc from its tentative and sheepish first lines of regret walking the blue highway towards its outraged manic triumphant 180° turn. Go back and get hurt again, Bobby, do it....
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