headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+48135


Submissions

3
Brown Eyed Women
June 21, 1976
Tower Theater

Smooth version with flawless, FM airplay quality.
2
Mama Tried
June 21, 1976
Tower Theater

Airplay perfect. Seems like they wanted to pick up the pace a bit and this one is just fine and dandy.
7
Goin' Down The Road Feelin' Bad
June 19, 1976
Capitol Theatre

Don't shut off the after the LIG>DitS>CC! This version just keeps on giving - great jam all 'round.
10
Ship of Fools
June 17, 1976
Capitol Theater

Muscular and confident, not at all dragging. Don't overlook it. It's brilliant and perfect coming in a blazingly good show and great 2nd set.
13
Big River
June 17, 1976
Capitol Theater

This one cooks. Keith puts on a master class of the old razzle dazzle.

Comments

Cryptical Envelopment
Jan. 26, 1969
Avalon Ballroom

All about the reprise. This one cooks.
Caution
Jan. 25, 1969
Avalon Ballroom

Powerful doesn't begin to describe it. This is the Dangerous Dead, though pretty short for the era. This is the era when the Avalon would hold them to one-hour sets and the night before they cut off the electricity, so perhaps they were reigning it in.
Alligator
Jan. 25, 1969
Avalon Ballroom

Starts a little unfocused, but comes out of the drum solo and transitions into Caution with blow-your-hair-back force.
Cosmic Charlie
Jan. 25, 1969
Avalon Ballroom

One of the best I know: They're having a blast. The growling grinding combination of Jerry and the keys (Pigpen? TC? both?) gives it an energetic tight swinging sound during the verses, and an unexpected almost punk-rock blown-amp sounding bridge to the "calling you" section. Cosmic Charlie is so legendary and mythic: People held banners at shows with the number of days past since it was last performed and annual set-lists would say Cosmic Charlie: 0 with a sad-face next to it. Hear it here in a uniquely tight and fun version.
Dark Star
Jan. 25, 1969
Avalon Ballroom

TC is too high in the mix, but so what? In most recordings of the era it's almost impossible to hear any indication of what he brought, so this is an interesting document if nothing else. It's also musically a whirligig of fun, even if a bit scattered in places. Deduct points for the mix if you must.