headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+48130


Submissions

3
Who Do You Love
March 9, 1966
Owsley's House (rehearsal)

Pig is on fire and the band revs to 6000 rpm. Jerry's tone is a shredding crisp fist full of razor blades.
2
Samson and Delilah
Oct. 15, 1976
Shrine Auditorium

Lickety split drummer precision here and a stylin' strut in the heart of a great 2nd set.
2
Mama Tried
Oct. 15, 1976
Shrine Auditorium

Solid shitkicker. "As usual, dedicated to our equipment crew". Lol, Bobby.
3
Might As Well
Oct. 15, 1976
Shrine Auditorium

Great party starter. This song always signals good time ahead.
1
Looks Like Rain
Oct. 14, 1976
Shrine Auditorium

Sweet slow buildup to an explosion of emotion and Jer's flying guitar work. A strong version.
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Comments

Uncle John's Band
March 19, 1977
Winterland Arena

Lot's of love here for the intro... but damn did you guys make it to the outro? The intro starts like silky gossamer and ends like a seven-cylinder jackhammer. It has that nice virtuoso '77 clean feeling while keeping the grit-in-the-gears and hard rocking energy.
Sugar Magnolia
March 19, 1977
Winterland Arena

Maybe it suffers a bit in comparison to the outrageous excellence of both the first and second set jams? The transition from Franklin's is a bit wobbly - and it takes getting to the first solo for it to really pick up steam, with the Devils driving it back on track for the win.
Eyes Of The World
March 19, 1977
Winterland Arena

Up-tempo, but not rushed. Keith is brilliant throughout, complimenting Jerry's endless wingspan.
Samson and Delilah
March 19, 1977
Winterland Arena

Soul-sizzling church here. The first half of PiTB noodles and swirls, but by the time Samson comes along they are all swagger and strength. This one is a colossus on its own, but part of an outrageous 1st set sammy it's become one of my top Samsons of all time.
Terrapin Station
March 19, 1977
Winterland Arena

Still brand-spankin' new, but they really found their stride here to kick off this outrageous extended jam to close out the first set. This strikes me as the first one to really convey the anthemic triumph outro.
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