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Carrion_Crow

Stealth Head

+49637


Submissions

9
Candyman
June 15, 1976
Beacon Theatre

A subtle beauty. Just a bit of swagger, just a bit of grit, lots of fine singing, and an acqueous solo for the ages.
6
Samson and Delilah
June 14, 1976
Beacon Theatre

Scorchin' hot barnburner here. The Rhythm Devils push this one ever hotter. Bobby and Donna sound perfect together.
2
Dancin' in the Streets
June 12, 1976
Music Hall

Superb version, surprising not listed yet. Tighter to my ears than the other more well-known ones in the Boston run. Check it out!
3
Johnny B. Goode
June 11, 1976
Boston Music Hall

MORE COWBELL! (And some very tight, blistering rock, sweet ensemble vocals, and good times for everyone after a great great show.)
2
Samson and Delilah
June 11, 1976
Boston Music Hall

Ballsy strut. Donna and Bobby are perfectly in sync, the mix is great, and Jerry's on fire. Check out the Miller cleanup.
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Comments

Sugaree
Dec. 5, 1971
Felt Forum - Madison Square Garden

Hard swinging rocker. Bobby and Phil are really in sync pumping on the gas here.
Mister Charlie
Dec. 5, 1971
Felt Forum - Madison Square Garden

Damned good, this one. Plus Bobby introduces it with instructions to get ready for the "pirate recorders". It's thanks to this revolutionary attitude that we have so much of this music.
Brown Eyed Women
Dec. 5, 1971
Felt Forum - Madison Square Garden

Note for note elegance.
Wharf Rat
Dec. 6, 1971
Felt Forum, Madison Square Garden

Approaches the power and arc of the greatest Wharf Rats, and deserves to be near the top. Rivals Summer '74 for beauty, coherence, and sheer emotive power.
The Other One
Dec. 6, 1971
Felt Forum, Madison Square Garden

Needs love here: Going chronologically I've realized how experimental they were with TOO since Keith joined, especially in Nov/Dec. Not only are there examples of great meltdown freejazz spacebug weirdness, but the fact that they're mixing it up with Bobby McGee, or El Paso, or even Mexicali (04.12) means that they caught a whole new nexus for this in the new setup. 06.12 is also remarkable because they sandwich McGee before the first chorus, then go into the main jam. Call this one a Dark Star if you want. It's that dialed in.
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