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Carrion_Crow

Stealth Head

+49652


Submissions

2
Brown Eyed Women
Oct. 28, 1972
Cleveland Public Hall

One of those note-for-note perfect versions that leave you staggered and smiling. Just beautiful.
2
Sugaree
Oct. 28, 1972
Cleveland Public Hall

Not a song I usually get so swept up by, but on this one Jer's vocals are just perfect, capturing the sweetness and sorrow of the lyrics. A beaut.
4
China Cat Sunflower -> I Know You Rider
Oct. 28, 1972
Cleveland Public Hall

High-powered and tight. This show has nothing but complaints about the mix on the archive. Listen to the Ashley transfer, and see what you've missed.
2
Tomorrow Is Forever
Oct. 27, 1972
Veterans' Memorial Hall

Such sweet harmony, such sweet sentiment - turning on a dime after the white-hot Dew. Shows the beautiful country chops Donna at her best brought.
2
Nobody's Fault But Mine
Oct. 27, 1972
Veterans' Memorial Hall

Jam starts at around 05:45, never fully forms. Am I crazy? This sounds like NFBM and it continues about 3min into TOO. Very very cool stuff here.
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Comments

Sugaree
Dec. 5, 1971
Felt Forum - Madison Square Garden

Hard swinging rocker. Bobby and Phil are really in sync pumping on the gas here.
Mister Charlie
Dec. 5, 1971
Felt Forum - Madison Square Garden

Damned good, this one. Plus Bobby introduces it with instructions to get ready for the "pirate recorders". It's thanks to this revolutionary attitude that we have so much of this music.
Brown Eyed Women
Dec. 5, 1971
Felt Forum - Madison Square Garden

Note for note elegance.
Wharf Rat
Dec. 6, 1971
Felt Forum, Madison Square Garden

Approaches the power and arc of the greatest Wharf Rats, and deserves to be near the top. Rivals Summer '74 for beauty, coherence, and sheer emotive power.
The Other One
Dec. 6, 1971
Felt Forum, Madison Square Garden

Needs love here: Going chronologically I've realized how experimental they were with TOO since Keith joined, especially in Nov/Dec. Not only are there examples of great meltdown freejazz spacebug weirdness, but the fact that they're mixing it up with Bobby McGee, or El Paso, or even Mexicali (04.12) means that they caught a whole new nexus for this in the new setup. 06.12 is also remarkable because they sandwich McGee before the first chorus, then go into the main jam. Call this one a Dark Star if you want. It's that dialed in.
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