headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

6
Beat it on Down The Line
Aug. 21, 1972
Berkeley Community Theater

Has one of Jer's longest continuous strings of up-tempo 16th note solo lines (in the changes) I can recall. Wicked fast and right as rain.
3
He's Gone
Aug. 20, 1972
San Jose Civic Auditorium

This version, and the one on the 12th, are just butter. I admit to sometimes not even noticing He's Gone, but this is a high spot for it.
2
Me and Bobby McGee
Aug. 20, 1972
San Jose Civic Auditorium

One of those amazing versions of this underrated song where everyone is blazing along in collective improv to genius effect. Just beautiful.
3
Sugaree
Aug. 20, 1972
San Jose Civic Auditorium

Damn fine swagger on this one, in spite of a murky tape. Show cleans up after a few songs - thanks to C. Miller.
2
Truckin'
Aug. 12, 1972
Sacramento Memorial Auditorium

High voltage 18-wheel Truckin'. Mix and sound on this show keep it in the shadow of others this month, but the music is all there.
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Comments

Sugaree
Dec. 5, 1971
Felt Forum - Madison Square Garden

Hard swinging rocker. Bobby and Phil are really in sync pumping on the gas here.
Mister Charlie
Dec. 5, 1971
Felt Forum - Madison Square Garden

Damned good, this one. Plus Bobby introduces it with instructions to get ready for the "pirate recorders". It's thanks to this revolutionary attitude that we have so much of this music.
Brown Eyed Women
Dec. 5, 1971
Felt Forum - Madison Square Garden

Note for note elegance.
Wharf Rat
Dec. 6, 1971
Felt Forum, Madison Square Garden

Approaches the power and arc of the greatest Wharf Rats, and deserves to be near the top. Rivals Summer '74 for beauty, coherence, and sheer emotive power.
The Other One
Dec. 6, 1971
Felt Forum, Madison Square Garden

Needs love here: Going chronologically I've realized how experimental they were with TOO since Keith joined, especially in Nov/Dec. Not only are there examples of great meltdown freejazz spacebug weirdness, but the fact that they're mixing it up with Bobby McGee, or El Paso, or even Mexicali (04.12) means that they caught a whole new nexus for this in the new setup. 06.12 is also remarkable because they sandwich McGee before the first chorus, then go into the main jam. Call this one a Dark Star if you want. It's that dialed in.
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