Jer sings thrôugh a cold, but the beauty and sweetness shines through. Sounds like he would 10 years later, but with the '78 sound. Full of love.

If you can get past the migraine-inducing AUD, this is one rowdy shitkicker that riles up the fun-loving crowd.

Smokin' hot encore to finish off one brilliant mother of a show. OMSN isn't many folk's fave tune, but this one just rocks hard.

This show has biting hardness throughout, then this seems a bit la-la until the 7/4 parts, and that grit returns with crunching nastiness. Excellent!

Total badassery. This one bites down hard and has a little menace to it, as befits a song about murder.

Almost a Caution jam in minute 12.

It's also a chaotic scramble, to be sure, but a beautiful one at that.

Perfect performance and at once perfectly non-sequitur and perfectly appropriate for the massive and outer-cosmos free jazz in the TOO around it. Why is MAMU their single-most performed song? Maybe because it could fit anywhere in either set, and maybe because when they were flying us through the weirdest wormhole in the outer planes of music, they could crest a wave and just hit on that cowboy groove that somehow emerges out of nothing and brings it all back down to earth (before lifting off again).

Era E's tastes are always impeccable. The only thing to add is that this first tour with Keith led to some fascinating, inventive TOOs. They explore ideas, one after another, in the space of a few minutes, in ways that seem to continue the 'new kid's' education and tryout. Here they migrate through hard acid drenched power, country blues, outer-reaches weirdness, and a teeny-tiny Feeling Groovy jam in the 8th minute, all before the first chorus. Nov. 6, 7 (especially) and 12th all share in this experimentation. It shows how TOO could be their scary, dangerously close-to-insanity rocker, but so many other things as well. Considering what we used to trade, I don't find the sound unlistenable at all, but just don't expect a clean sbd.

Starts in a fervor and hard rock fever, then hits a unique jam around the seven-minute mark including some real nice Bobby and Keith telepathic gogo. Then more phases and jams, never quite losing the 6/8 theme, revisiting it and turning it around until it charges back. Not a scary TOO, almost Dark Star-ish in its invention. Should be much much higher on the list.