headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

3
Black Throated Wind
July 21, 1972
Paramount Northwest Theater

Get past murk with good headphones and you find a gem: Bobby's vox perfect, the arc powerful, Jer and Keith possessed.
2
Mississippi Halfstep Uptown Toodeloo
July 18, 1972
Rossevelt Stadium

Uptempo, and with a hard swagger, with a beaut of a Rio section. 2nd ever, sounds like they're still settling on the vibe.
1
Black Throated Wind
July 18, 1972
Rossevelt Stadium

Solid, emotional version. Bobby was on.
10
Goin' Down The Road Feelin' Bad
May 25, 1972
Strand Lyceum

From blisteringly hot, into a sweet-and-light outro > OMSN, turning on a dime. Great fun.
4
Chinatown Shuffle
May 25, 1972
Strand Lyceum

Rip-roarin' version. The 2nd set perks up quite a bit after a sleepy 1st. Pig was still on.

Comments

The Other One
Nov. 20, 1971
Pauley Pavilion

Almost a Caution jam in minute 12.
Playin' In The Band
Dec. 2, 1971
Boston Music Hall

It's also a chaotic scramble, to be sure, but a beautiful one at that.
Me and My Uncle
Dec. 1, 1971
Boston Music Hall

Perfect performance and at once perfectly non-sequitur and perfectly appropriate for the massive and outer-cosmos free jazz in the TOO around it. Why is MAMU their single-most performed song? Maybe because it could fit anywhere in either set, and maybe because when they were flying us through the weirdest wormhole in the outer planes of music, they could crest a wave and just hit on that cowboy groove that somehow emerges out of nothing and brings it all back down to earth (before lifting off again).
The Other One
Nov. 17, 1971
Albuquerque Civic Auditorium

Era E's tastes are always impeccable. The only thing to add is that this first tour with Keith led to some fascinating, inventive TOOs. They explore ideas, one after another, in the space of a few minutes, in ways that seem to continue the 'new kid's' education and tryout. Here they migrate through hard acid drenched power, country blues, outer-reaches weirdness, and a teeny-tiny Feeling Groovy jam in the 8th minute, all before the first chorus. Nov. 6, 7 (especially) and 12th all share in this experimentation. It shows how TOO could be their scary, dangerously close-to-insanity rocker, but so many other things as well. Considering what we used to trade, I don't find the sound unlistenable at all, but just don't expect a clean sbd.
The Other One
Nov. 12, 1971
San Antonio Civic Auditorium

Starts in a fervor and hard rock fever, then hits a unique jam around the seven-minute mark including some real nice Bobby and Keith telepathic gogo. Then more phases and jams, never quite losing the 6/8 theme, revisiting it and turning it around until it charges back. Not a scary TOO, almost Dark Star-ish in its invention. Should be much much higher on the list.