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Carrion_Crow

Stealth Head

+49642


Submissions

4
The Music Never Stopped
June 11, 1976
Boston Music Hall

Baffling that this isn't here yet. Perfect tight ensemble playing, exhuberence and one idea flowing into another. Great recent C.Miller cleanup too.
3
Brown Eyed Women
June 11, 1976
Boston Music Hall

Beautifully cleaned up version up now showcases the tight ensemble playing here. Bobby's tone is crystal clear and his fills are a treat to hear.
7
It Must Have Been The Roses
June 11, 1976
Boston Music Hall

If you've passed by this show, you're missing out a sweetheart of a Roses here. Check out the new C.Miller clean pane of glass in the window.
7
Might As Well
June 11, 1976
Boston Music Hall

New C.Miller cleanup (10/17) brings in the love. Brilliant show opener with everything '76 has to offer: Hot mellow, lyricisms, and DJG at her best.
19
Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

So many brilliant ones, but you're missing a real treat if you count this one out. Particularly strong Franklin's but the Slipknot! is brilliant too.

Comments

The Other One
Nov. 7, 1971
Harding Theatre

Beautiful and hard charging version with a mysteriously perfect segue into MAMU, but it's the outro that just slays me with its mysterious and light-as air melodic jam before the power finale. Strong stuff here, know your dose.
Playin' In The Band
April 24, 1972
Rheinhalle

Good call cgarces! I love this one.
Me and My Uncle
Nov. 7, 1971
Harding Theatre

There are passages in the Dark Star hinting that they knew exactly where they were going with this brilliant TOO>MAMU>TOO sandwich. Keith's honky tonk piano, like it does in the Mexicali Blues earlier is just perfect here, and combined with the heavy trippin-balls Other One vibe makes this a standout version.
Mexicali Blues
Nov. 6, 1971
Harding Theater

Acid carnival, complete with honky tonk piano, wild chaos, and a dubious narrative ringleader.
Comes A Time
Nov. 7, 1971
Harding Theatre

Beautiful version, but it isn't the only time they sang the 2nd "when words come out" verse. It's there in every version from the song's about a month earlier. I think it's really the key verse for to the meaning of the song, and makes me think about times when my anger took me over and left me regretting my actions. Without it, the "feel nothin' at all" lyrics take on a darker sense altogether (in my opinion). I wonder if they took it out when it seemed like the song was a bit long for a mid-set ballad. I just love these early versions in any case.