headyversion

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Carrion_Crow

Stealth Head

+49652


Submissions

2
Brown Eyed Women
Oct. 28, 1972
Cleveland Public Hall

One of those note-for-note perfect versions that leave you staggered and smiling. Just beautiful.
2
Sugaree
Oct. 28, 1972
Cleveland Public Hall

Not a song I usually get so swept up by, but on this one Jer's vocals are just perfect, capturing the sweetness and sorrow of the lyrics. A beaut.
4
China Cat Sunflower -> I Know You Rider
Oct. 28, 1972
Cleveland Public Hall

High-powered and tight. This show has nothing but complaints about the mix on the archive. Listen to the Ashley transfer, and see what you've missed.
2
Tomorrow Is Forever
Oct. 27, 1972
Veterans' Memorial Hall

Such sweet harmony, such sweet sentiment - turning on a dime after the white-hot Dew. Shows the beautiful country chops Donna at her best brought.
2
Nobody's Fault But Mine
Oct. 27, 1972
Veterans' Memorial Hall

Jam starts at around 05:45, never fully forms. Am I crazy? This sounds like NFBM and it continues about 3min into TOO. Very very cool stuff here.
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Comments

The Other One
Nov. 7, 1971
Harding Theatre

Beautiful and hard charging version with a mysteriously perfect segue into MAMU, but it's the outro that just slays me with its mysterious and light-as air melodic jam before the power finale. Strong stuff here, know your dose.
Playin' In The Band
April 24, 1972
Rheinhalle

Good call cgarces! I love this one.
Me and My Uncle
Nov. 7, 1971
Harding Theatre

There are passages in the Dark Star hinting that they knew exactly where they were going with this brilliant TOO>MAMU>TOO sandwich. Keith's honky tonk piano, like it does in the Mexicali Blues earlier is just perfect here, and combined with the heavy trippin-balls Other One vibe makes this a standout version.
Mexicali Blues
Nov. 6, 1971
Harding Theater

Acid carnival, complete with honky tonk piano, wild chaos, and a dubious narrative ringleader.
Comes A Time
Nov. 7, 1971
Harding Theatre

Beautiful version, but it isn't the only time they sang the 2nd "when words come out" verse. It's there in every version from the song's about a month earlier. I think it's really the key verse for to the meaning of the song, and makes me think about times when my anger took me over and left me regretting my actions. Without it, the "feel nothin' at all" lyrics take on a darker sense altogether (in my opinion). I wonder if they took it out when it seemed like the song was a bit long for a mid-set ballad. I just love these early versions in any case.
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