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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49652


Submissions

6
Cumberland Blues
Oct. 2, 1972
Springfield Civic Center

Tight frolic, without the verge-of-chaos coal car vibe from the era. Bobby's contrib. is spot on, and Jer drops a "Went to Toledo" quote.
5
Black Throated Wind
Oct. 2, 1972
Springfield Civic Center

A perfectly rendered, tightly orchestrated soaring arc from one of the most inexplicably underated shows of Fall '72. Listen in: Bobby's in pure form.
10
Playin' In The Band
Oct. 2, 1972
Springfield Civic Center

I have trouble understanding why this isn't already here, other than the embarrassment of riches that is Fall '72.
4
Big Railroad Blues
Oct. 2, 1972
Springfield Civic Center

One of the best I know. Hard chargin' and up tempo hot stuff.
7
Tennessee Jed
Oct. 2, 1972
Springfield Civic Center

Bites down hard, with a potent electric twang, plus Keith is full of surprises here.

Comments

The Other One
Nov. 7, 1971
Harding Theatre

Beautiful and hard charging version with a mysteriously perfect segue into MAMU, but it's the outro that just slays me with its mysterious and light-as air melodic jam before the power finale. Strong stuff here, know your dose.
Playin' In The Band
April 24, 1972
Rheinhalle

Good call cgarces! I love this one.
Me and My Uncle
Nov. 7, 1971
Harding Theatre

There are passages in the Dark Star hinting that they knew exactly where they were going with this brilliant TOO>MAMU>TOO sandwich. Keith's honky tonk piano, like it does in the Mexicali Blues earlier is just perfect here, and combined with the heavy trippin-balls Other One vibe makes this a standout version.
Mexicali Blues
Nov. 6, 1971
Harding Theater

Acid carnival, complete with honky tonk piano, wild chaos, and a dubious narrative ringleader.
Comes A Time
Nov. 7, 1971
Harding Theatre

Beautiful version, but it isn't the only time they sang the 2nd "when words come out" verse. It's there in every version from the song's about a month earlier. I think it's really the key verse for to the meaning of the song, and makes me think about times when my anger took me over and left me regretting my actions. Without it, the "feel nothin' at all" lyrics take on a darker sense altogether (in my opinion). I wonder if they took it out when it seemed like the song was a bit long for a mid-set ballad. I just love these early versions in any case.