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Carrion_Crow

Stealth Head

+49667


Submissions

2
Cold Rain and Snow
Oct. 31, 1970
School Gymnasium, S.U.N.Y.

Great forward, driving pulse to this one. Sounds like the had a blast playing it.
3
St. Stephen
Oct. 30, 1970
SUNY Stonybrook

Kind a chaotic mess, but with a shredding outro which extends the jam for 8 minutes. A strange, cool interpretation for SS fans like me.
11
Comes A Time
Dec. 27, 1986
Henry J. Kaiser Convention Center

Jerry at his most angelic, comes after Bobby at his most satanic. Beautiful stuff.
1
Sugar Magnolia
Oct. 30, 1970
SUNY Stonybrook

The jam kickstarts the band around minute 3, and they go from sleepyish to electric haywire.
2
The Other One
Oct. 23, 1970
McDonough Arena - Georgetown University

Very hot transition from Truckin'. Short but powerfull, a fully-charged space cannon.

Comments

The Other One
Nov. 7, 1971
Harding Theatre

Beautiful and hard charging version with a mysteriously perfect segue into MAMU, but it's the outro that just slays me with its mysterious and light-as air melodic jam before the power finale. Strong stuff here, know your dose.
Playin' In The Band
April 24, 1972
Rheinhalle

Good call cgarces! I love this one.
Me and My Uncle
Nov. 7, 1971
Harding Theatre

There are passages in the Dark Star hinting that they knew exactly where they were going with this brilliant TOO>MAMU>TOO sandwich. Keith's honky tonk piano, like it does in the Mexicali Blues earlier is just perfect here, and combined with the heavy trippin-balls Other One vibe makes this a standout version.
Mexicali Blues
Nov. 6, 1971
Harding Theater

Acid carnival, complete with honky tonk piano, wild chaos, and a dubious narrative ringleader.
Comes A Time
Nov. 7, 1971
Harding Theatre

Beautiful version, but it isn't the only time they sang the 2nd "when words come out" verse. It's there in every version from the song's about a month earlier. I think it's really the key verse for to the meaning of the song, and makes me think about times when my anger took me over and left me regretting my actions. Without it, the "feel nothin' at all" lyrics take on a darker sense altogether (in my opinion). I wonder if they took it out when it seemed like the song was a bit long for a mid-set ballad. I just love these early versions in any case.