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Carrion_Crow

Stealth Head

+49652


Submissions

7
Around and Around
Sept. 26, 1972
Stanley Theatre

Usually a toss-off for me, and maybe it's Chuck Berry's passing that makes me think of it, but this version kicks serious ass. Deliberate and strong.
10
Bird Song
Sept. 26, 1972
Stanley Theatre

Crisp, articulate, deliberate. This is as strong a statement about what this song could be in '72 as I know. Airplay levels of concision.
7
Cold Rain and Snow
Sept. 26, 1972
Stanley Theatre

Always loved this one early in the first set, 'cause it meant the boys meant business. This one has a loose, comfortable sound, but with high energy.
8
Bertha
Sept. 24, 1972
Palace Theatre

Masterclass from the Philzone here. He tears this one up.
9
Loser
Sept. 24, 1972
Palace Theatre

Driven version. Purposeful, biting, and strong, with a high-tension wire energy. They meant business.

Comments

Big Railroad Blues
Nov. 7, 1971
Harding Theatre

The levels on my copy are all way up in the red, the sound over-saturated and distorting, and I looooooove it. Slamming along at full locomotive power and just killing it.
Sugaree
Nov. 7, 1971
Harding Theatre

Would nominate this as a good "entry-level" version for someone who likes old rock and roll, but isn't tuned into live Dead yet. Strong, solid, grooving pulse. Would also nominate this as a sweet-assed groove to dance nice and slow to with your lover. Just sayin'.
The Other One
Nov. 6, 1971
Harding Theater

Bobby introduces with "We're going to do a Hugo Winterhalter song now", which is pretty Prankster when you think about it.
Bertha
Nov. 6, 1971
Harding Theater

Jerry just can't stop here, and pulls them back from ending it not once, but twice, to great comic and great rock'n'roll effect. Loose as all hell, but he can play that guitar just like ringing a bell! Hell of a show opener.
El Paso
Oct. 31, 1971
Ohio Theatre

Jerry sounds like champagne bubbles throughout. It's like he's got fifteen extra fingers.