headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49652


Submissions

4
He's Gone
Aug. 12, 1972
Sacramento Memorial Auditorium

Sweet outro on this one. Donna's got the sweet harmony and Phil with the bass vox makes it pretty kind.
3
Me and My Uncle
Aug. 12, 1972
Sacramento Memorial Auditorium

MAMU is so often overlooked, but this one is hiding in plain sight. Hard jumpin' rocker here with a savage pulse, and great banter after.
4
Sugar Magnolia
July 26, 1972
Paramount Theater

After the ultra-outre Dark Star, this pure rock and roll distillate is just perfect goodness. A burner with Billy hard charging in 4-wheel drive.
5
You Win Again
July 26, 1972
Paramount Theater

Note for note perfect. The only reason it isn't here yet is that the shows between Europe and Berkeley/Veneta are too often overlooked.
1
Goin' Down The Road Feelin' Bad
July 25, 1972
Paramount Theater

Possibly the highest energy piece in the whole show. An excellent jam that left the crowd smiling, for certain.

Comments

Big Railroad Blues
Nov. 7, 1971
Harding Theatre

The levels on my copy are all way up in the red, the sound over-saturated and distorting, and I looooooove it. Slamming along at full locomotive power and just killing it.
Sugaree
Nov. 7, 1971
Harding Theatre

Would nominate this as a good "entry-level" version for someone who likes old rock and roll, but isn't tuned into live Dead yet. Strong, solid, grooving pulse. Would also nominate this as a sweet-assed groove to dance nice and slow to with your lover. Just sayin'.
The Other One
Nov. 6, 1971
Harding Theater

Bobby introduces with "We're going to do a Hugo Winterhalter song now", which is pretty Prankster when you think about it.
Bertha
Nov. 6, 1971
Harding Theater

Jerry just can't stop here, and pulls them back from ending it not once, but twice, to great comic and great rock'n'roll effect. Loose as all hell, but he can play that guitar just like ringing a bell! Hell of a show opener.
El Paso
Oct. 31, 1971
Ohio Theatre

Jerry sounds like champagne bubbles throughout. It's like he's got fifteen extra fingers.