headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

7
Not Fade Away
June 4, 1970
Fillmore West

Spectacular thrashing jam. Jerry has an agressive metal sound that I like to call the "Dangerous Dead" from the era.
6
Attics of My Life
June 4, 1970
Fillmore West

For a song notoriously difficult to sing, this one comes of beautifully. June 6th is better, but good to hear them in sequence as the worked on it.
5
Friend of the Devil
June 4, 1970
Fillmore West

Hard to figure that this isn't here already: sweet acoustic intimacy and a clear '70 AUD that does it for me.
4
Candyman
June 4, 1970
Fillmore West

Intimate expression of this song's first, acoustic, right off the LP era. A bit slower, but great vocals and 3-part harmonies.
5
Deep Elem Blues
June 4, 1970
Fillmore West

Pure goodness. Warm AUD, intimate sound. This is the gold.
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Comments

Big Railroad Blues
Nov. 7, 1971
Harding Theatre

The levels on my copy are all way up in the red, the sound over-saturated and distorting, and I looooooove it. Slamming along at full locomotive power and just killing it.
Sugaree
Nov. 7, 1971
Harding Theatre

Would nominate this as a good "entry-level" version for someone who likes old rock and roll, but isn't tuned into live Dead yet. Strong, solid, grooving pulse. Would also nominate this as a sweet-assed groove to dance nice and slow to with your lover. Just sayin'.
The Other One
Nov. 6, 1971
Harding Theater

Bobby introduces with "We're going to do a Hugo Winterhalter song now", which is pretty Prankster when you think about it.
Bertha
Nov. 6, 1971
Harding Theater

Jerry just can't stop here, and pulls them back from ending it not once, but twice, to great comic and great rock'n'roll effect. Loose as all hell, but he can play that guitar just like ringing a bell! Hell of a show opener.
El Paso
Oct. 31, 1971
Ohio Theatre

Jerry sounds like champagne bubbles throughout. It's like he's got fifteen extra fingers.
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