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Carrion_Crow

Stealth Head

+49677


Submissions

1
Playin' In The Band
Aug. 23, 1971
Auditorium Theatre

Clanging and banging in all the right ways for the '71 sound. Has so much energy packed into it you can hear how it will explode over the next year.
6
Wharf Rat
Aug. 15, 1971
Berkeley Community Theater

Very serious, beautiful and magical jam. Should be up there with the top of them. Don't miss it.
5
China Cat Sunflower -> I Know You Rider
Aug. 15, 1971
Berkeley Community Theater

Virtuoso performance, the transition builds like a speeding river as it reaches a waterfall. There's a short tape gap in Rider, though, its all good.
4
Sugaree
Aug. 15, 1971
Berkeley Community Theater

Smooth and blissful rocker, followed by a very funny 4-second "White Rabbit" quote and conversation in response to a wacky head in the crowd.
3
Mister Charlie
Aug. 15, 1971
Berkeley Community Theater

Snarling and ballsy, complete with a hog snort in the pause after it. Pigpen got good and greased up for this show. Fun and loose.

Comments

Me and Bobby McGee
April 5, 1971
Manhattan Center

That's Jerry, not Phil, I'm fairly sure. Anyone else? My headphones are busted (don't ask),so I can't listen really deeply like I want to, and it does sound like a little bit of three-part harmony on the very last lines, but Jer is singing backup throughout and the yodel is within his timbrel range. Any historians out there know for sure? Sure is a beaut, anyway.
Good Lovin'
May 3, 1972
Olympia Theater

Pig gets good and filthy right around 10:00.
The Other One
May 2, 1970
Harpur College

Apparently two years and change since I've rechecked this one: I agree with crankyoldhead above. This is an insane rager, for sure, but hard to figure it as the top o'the list other than that it's been released commercially. Strong points: relentless and coherent, but it never tips over the edge, but just stays close to it for a great long journey. To me the cryptical reprise gets closest to the supernova power of, for example 04.26.72 and probably twenty-five others on this page. Not meant as a criticism, but simply an observation.
Dark Star
Sept. 10, 1972
Hollywood Palladium

A wonderful, long, inventive version, full of pure musical jams, a wild post-verse spacemelt, and a glorious return into a beautiful Jack Straw. I reckon it's no higher on the list because the board levels aren't top-shelf, but the recording itself is great, and there's good channel separation so you can hear Bobby's angular knifey stabalong clearly, which is a too-rare treat for the era. (His interaction with Keith and Jerry at about 24:00 is just brilliant.) Listen to it, it's got it all, and I'd nominate this show (excellent all-round) for a cleanup if possible.
He's Gone
Sept. 10, 1972
Hollywood Palladium

Bliss. As close to a perfect statement of He's Gone as I know. The soloing is full of clear, purposeful ideas and Billy drives the whole thing forward with just the right amount of push, never letting it drag a bit. Could be much higher on the list.