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Carrion_Crow

Stealth Head

+49677


Submissions

5
Bertha
July 31, 1971
Yale Bowl, Yale University

Revs up the rowdy crowd, tight and powerful 2nd set opener in a brilliant show. The AUD is a bit rough in places, but gives it great atmosphere. Hot.
8
Mister Charlie
July 31, 1971
Yale Bowl, Yale University

Ignore the audiophobes and get into it. Pig and Jerry both totally on. The band is exploding with energy. Overlooked show, and Dave knew it.
4
Black Peter
June 21, 1971
Chateau d'Herouville

Strong and powerful, like all the best versions of BP. Deep emotions on great pulse to this one.
3
Me and My Uncle
June 21, 1971
Chateau d'Herouville

Great sound. Some tuning/monitor problems earlier but by this they've worked it out. Nice clean version in what turns out to be a killer show.
2
Hard to Handle
May 29, 1971
Winterland Arena

Don't pass this by because of the AUD issues. Stands up to all the top H2Hs here. The jam and energy are outrageous.

Comments

Me and Bobby McGee
April 5, 1971
Manhattan Center

That's Jerry, not Phil, I'm fairly sure. Anyone else? My headphones are busted (don't ask),so I can't listen really deeply like I want to, and it does sound like a little bit of three-part harmony on the very last lines, but Jer is singing backup throughout and the yodel is within his timbrel range. Any historians out there know for sure? Sure is a beaut, anyway.
Good Lovin'
May 3, 1972
Olympia Theater

Pig gets good and filthy right around 10:00.
The Other One
May 2, 1970
Harpur College

Apparently two years and change since I've rechecked this one: I agree with crankyoldhead above. This is an insane rager, for sure, but hard to figure it as the top o'the list other than that it's been released commercially. Strong points: relentless and coherent, but it never tips over the edge, but just stays close to it for a great long journey. To me the cryptical reprise gets closest to the supernova power of, for example 04.26.72 and probably twenty-five others on this page. Not meant as a criticism, but simply an observation.
Dark Star
Sept. 10, 1972
Hollywood Palladium

A wonderful, long, inventive version, full of pure musical jams, a wild post-verse spacemelt, and a glorious return into a beautiful Jack Straw. I reckon it's no higher on the list because the board levels aren't top-shelf, but the recording itself is great, and there's good channel separation so you can hear Bobby's angular knifey stabalong clearly, which is a too-rare treat for the era. (His interaction with Keith and Jerry at about 24:00 is just brilliant.) Listen to it, it's got it all, and I'd nominate this show (excellent all-round) for a cleanup if possible.
He's Gone
Sept. 10, 1972
Hollywood Palladium

Bliss. As close to a perfect statement of He's Gone as I know. The soloing is full of clear, purposeful ideas and Billy drives the whole thing forward with just the right amount of push, never letting it drag a bit. Could be much higher on the list.