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Carrion_Crow

Stealth Head

+49667


Submissions

2
Hard to Handle
Nov. 11, 1970
49th Street Rock Palace

Hot soloing and '71 levels of intensity. Listenable in spite of some tape wobble and distortion. Fun to watch H2H expanding during this era.
1
Deep Elem Blues
Nov. 9, 1970
Action House

Headphones only very rough AUD, but one of the rare electric funky Deep Elems. Historical rarity.
1
Morning Dew
Nov. 9, 1970
Action House

Pity about the C- sound quality, because a new tape of this would show us a real corker.
10
Good Lovin'
Nov. 8, 1970
Capitol Theater

Final jam in an enormous show. Just killer. Follows the one NRPS set you need to hear. Whatta world.
2
Brokedown Palace
Nov. 7, 1970
Capital Theater

Through the AUD fuzz and chatter comes a beautifully rendered vocal performance. Enjoy this hidden treasure.

Comments

Me and Bobby McGee
April 5, 1971
Manhattan Center

That's Jerry, not Phil, I'm fairly sure. Anyone else? My headphones are busted (don't ask),so I can't listen really deeply like I want to, and it does sound like a little bit of three-part harmony on the very last lines, but Jer is singing backup throughout and the yodel is within his timbrel range. Any historians out there know for sure? Sure is a beaut, anyway.
Good Lovin'
May 3, 1972
Olympia Theater

Pig gets good and filthy right around 10:00.
The Other One
May 2, 1970
Harpur College

Apparently two years and change since I've rechecked this one: I agree with crankyoldhead above. This is an insane rager, for sure, but hard to figure it as the top o'the list other than that it's been released commercially. Strong points: relentless and coherent, but it never tips over the edge, but just stays close to it for a great long journey. To me the cryptical reprise gets closest to the supernova power of, for example 04.26.72 and probably twenty-five others on this page. Not meant as a criticism, but simply an observation.
Dark Star
Sept. 10, 1972
Hollywood Palladium

A wonderful, long, inventive version, full of pure musical jams, a wild post-verse spacemelt, and a glorious return into a beautiful Jack Straw. I reckon it's no higher on the list because the board levels aren't top-shelf, but the recording itself is great, and there's good channel separation so you can hear Bobby's angular knifey stabalong clearly, which is a too-rare treat for the era. (His interaction with Keith and Jerry at about 24:00 is just brilliant.) Listen to it, it's got it all, and I'd nominate this show (excellent all-round) for a cleanup if possible.
He's Gone
Sept. 10, 1972
Hollywood Palladium

Bliss. As close to a perfect statement of He's Gone as I know. The soloing is full of clear, purposeful ideas and Billy drives the whole thing forward with just the right amount of push, never letting it drag a bit. Could be much higher on the list.