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Carrion_Crow

Stealth Head

+48136


Submissions

2
Black Throated Wind
Sept. 16, 1972
Boston Music Hall

No bad ones at all from this era, but listen in and you can hear Jerry drive Bobby higher and higher. Great powerful emotive energy.
5
Ramble On Rose
Sept. 15, 1972
Boston Music Hall

Jerry's vocals are rarely stronger. At one point he's growling it out like he's spittin' nails.
9
He's Gone
Sept. 15, 1972
Boston Music Hall

Kicking off a killer 2nd set, with a beautiful outro and a smooth smooth jam.
3
Jack Straw
Sept. 15, 1972
Boston Music Hall

In spite of some tuning problems, this one cooks. This whole set showcases Jerry's fast frets. Great stuff.
2
El Paso
Sept. 15, 1972
Boston Music Hall

Sweet master class on background soloing with Jerry's lickety-split runaway desperado fretwork backing Bobby up.
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Comments

They Love Each Other
March 19, 1977
Winterland Arena

Has just a little more bite to it than the '76 versions, though still in the slower mode from the pre-hiatus ones. Flawless is right, as the man said.
Bertha
March 19, 1977
Winterland Arena

Rock solid show opener. Tight from the start. That '77 perfection starts to shine brightly here.
Around and Around
March 18, 1977
Winterland Arena

B e s t o n e e v e r. Love how Jerry just doesn't want to stop and grinds out more and more and more.
Not Fade Away
March 18, 1977
Winterland Arena

Around 11:20 Jerry and Keith hit on a new riff that opened up the slow boil onto new terrain. Repetitious? Hardly.... They hit on something that just goes bonkers, turning NFA into hard acid.
Estimated Prophet
March 18, 1977
Winterland Arena

Really underrated. This one hits all the high-points, but also shows how much innovation and work they were putting into it. Lots of new effects, echo, and spooky outre weirdness that emphasize how cracked-up the protagonist in the song is. Was it already Dan working the board at this point? Anyone know?
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