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Carrion_Crow

Stealth Head

+48136


Submissions

14
Crazy Fingers
Feb. 28, 1975
Bob Weir's Studio

You've never heard it like this: Rehearsal tape, listed as "Distorto". Track 2. An absolute treasure. Hard-freaking-core. No words, just rock.
1
Big Railroad Blues
July 22, 1972
Paramount Northwest Theatre

Hard chargin' driver here. They kicked this one in the pants.
3
Sugaree
July 22, 1972
Paramount Northwest Theatre

A solid and sweet rockin' version. The band is smooth and tight, recording a solid A-
2
He's Gone
July 21, 1972
Paramount Northwest Theater

Donna's brand new and sounds good. Sorry haters, but she's on here: Check the sweet outro.
8
Stella Blue
July 21, 1972
Paramount Northwest Theater

Powerful and emotional, with great coherency and a tight structure. AUD cleanup in need.

Comments

They Love Each Other
March 19, 1977
Winterland Arena

Has just a little more bite to it than the '76 versions, though still in the slower mode from the pre-hiatus ones. Flawless is right, as the man said.
Bertha
March 19, 1977
Winterland Arena

Rock solid show opener. Tight from the start. That '77 perfection starts to shine brightly here.
Around and Around
March 18, 1977
Winterland Arena

B e s t o n e e v e r. Love how Jerry just doesn't want to stop and grinds out more and more and more.
Not Fade Away
March 18, 1977
Winterland Arena

Around 11:20 Jerry and Keith hit on a new riff that opened up the slow boil onto new terrain. Repetitious? Hardly.... They hit on something that just goes bonkers, turning NFA into hard acid.
Estimated Prophet
March 18, 1977
Winterland Arena

Really underrated. This one hits all the high-points, but also shows how much innovation and work they were putting into it. Lots of new effects, echo, and spooky outre weirdness that emphasize how cracked-up the protagonist in the song is. Was it already Dan working the board at this point? Anyone know?